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Record W7126311219

Revisioning Women and Water in Contemporary English- and Dutch-Language Poetry

2025· article· en· W7126311219 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueDigital Access to Libraries · 2025
Typearticle
Languageen
FieldArts and Humanities
TopicEcocriticism and Environmental Literature
Canadian institutionsnot available
Fundersnot available
KeywordsPoetryIdeologyEcofeminismIdentity (music)Field (mathematics)Feminism
DOInot available

Abstract

fetched live from OpenAlex

There has been a long-standing and problematic coupling of women and water in the (western) imagination, as the field of ecofeminism has shown and criticized (e.g. Gaard 2001). Indeed, woman as water has alternatively been associated with a flowing female pollution in antiquity (e.g. Carson 2000), a destructive wave in Judeo-Christian imagery (Helmreich 2017), religious ecstasy due to her wet nature in medieval times (e.g. Fraeters 2004), and a distant deep as a “territory of desire” to be conquered in fascist ideologies (e.g. Theweleit 1987: 294). Now that questions of water become increasingly more important as the Blue Humanities take off, it seems time to take stock of this woman-water imagery. Poetry has especially been deemed suitable to engage with such watery questions due to its ability to interweave different temporal scales (see François 2017, Mentz 2024: 8, 13). Analyzing a contemporary selection of poems (in translation) by Dutch and Canadian poets Sophia Blyden, Anne Carson, Rozalie Hirs, and Alycia Pirmohamed, this paper will consider how contemporary women writers reimagine questions of female identity at the intersection of ecology, spirituality, and the body. Building on Astrida Neimanis’s (2013, 2017) identification of types of “hydro-logics,” this paper will argue that water does not only function as an “archive” but also as a (distorting) mirror in these poems, shaping as much as preserving what these women writers would like to see in our current societies. Reflecting on water’s inherent danger and the complexity of women-water relationships, these poets consider what role water can play in imagining more sustainable futures for women in the Anthropocene. Works Cited Carson, Anne. “Dirt and Desire: Essay on the Phenomenology of Female Pollution in Antiquity.” Men in the Off Hours, Jonathan Cape, 2000, pp. 130-57. Fraeters, Veerle. “Gender and Genre: The Design of Hadewijch’s Book of Visions.” The Voice of Silence: Women’s Literacy in a Men’s Church, edited by Thérèse de Hemptinne and María Eugenia Góngora, Turnhout, Brepols, 2004, pp. 57-81. Brepols Online, doi:10.1484/M.MCS-EB.3.3594. François, Anne-Lise. “Ungiving Time: Reading Lyric by the Light of the Anthropocene.” Anthropocene Reading: Literary History in Geologic Times, edited by Tobias Menely and Jesse Oak Taylor, The Pennsylvania State UP, 2017, pp. 239-58. Gaard, Greta. “Women, Water, Energy: An Ecofeminist Approach.” Organization & Environment, vol. 14, no. 2, 2001, pp. 157-72. JSTOR, www.jstor.org/stable/26161568. Helmreich, Stefan. “The Genders of Waves.” Women’s Studies Quarterly, vol. 45, nos. 1-2, 2017, pp. 29-51. Project Muse, doi:10.1353/wsq.2017.0015. Mentz, Steve. An Introduction to the Blue Humanities. Routledge, 2024. Neimanis, Astrida. “Feminist Subjectivity, Watered.” Feminist Review, vol. 103, no. 1, 2013, pp. 23-41. Sage Journals, doi:10.1057/fr.2012.25. ---. “Water and Knowledge.” Downstream: Reimagining Water, edited by Dorothy Christian and Rita Wong, Wilfrid Laurier UP, 2017, pp. 51-68. Theweleit, Klaus. Male Fantasies, I. Women, Floods, Bodies, History. Translated by Stephen Conway, foreword by Barbara Ehrenreich, U of Minnesota P, 1987.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesScholarly communication
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.883
Threshold uncertainty score0.997

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0040.004
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.014
GPT teacher head0.222
Teacher spread0.208 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it