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Record W7126311219

Revisioning Women and Water in Contemporary English- and Dutch-Language Poetry

2025· article· en· W7126311219 on OpenAlexaboutno aff
Helena Van Praet, New Lights on the Poem: Looking Back, Looking Forward, Fifth Biennial Conference of the INSL

Bibliographic record

VenueDigital Access to Libraries · 2025
Typearticle
Languageen
FieldArts and Humanities
TopicEcocriticism and Environmental Literature
Canadian institutionsnot available
Fundersnot available
KeywordsPoetryIdeologyEcofeminismIdentity (music)Field (mathematics)Feminism
DOInot available

Abstract

fetched live from OpenAlex

There has been a long-standing and problematic coupling of women and water in the (western) imagination, as the field of ecofeminism has shown and criticized (e.g. Gaard 2001). Indeed, woman as water has alternatively been associated with a flowing female pollution in antiquity (e.g. Carson 2000), a destructive wave in Judeo-Christian imagery (Helmreich 2017), religious ecstasy due to her wet nature in medieval times (e.g. Fraeters 2004), and a distant deep as a “territory of desire” to be conquered in fascist ideologies (e.g. Theweleit 1987: 294). Now that questions of water become increasingly more important as the Blue Humanities take off, it seems time to take stock of this woman-water imagery. Poetry has especially been deemed suitable to engage with such watery questions due to its ability to interweave different temporal scales (see François 2017, Mentz 2024: 8, 13). Analyzing a contemporary selection of poems (in translation) by Dutch and Canadian poets Sophia Blyden, Anne Carson, Rozalie Hirs, and Alycia Pirmohamed, this paper will consider how contemporary women writers reimagine questions of female identity at the intersection of ecology, spirituality, and the body. Building on Astrida Neimanis’s (2013, 2017) identification of types of “hydro-logics,” this paper will argue that water does not only function as an “archive” but also as a (distorting) mirror in these poems, shaping as much as preserving what these women writers would like to see in our current societies. Reflecting on water’s inherent danger and the complexity of women-water relationships, these poets consider what role water can play in imagining more sustainable futures for women in the Anthropocene. Works Cited Carson, Anne. “Dirt and Desire: Essay on the Phenomenology of Female Pollution in Antiquity.” Men in the Off Hours, Jonathan Cape, 2000, pp. 130-57. Fraeters, Veerle. “Gender and Genre: The Design of Hadewijch’s Book of Visions.” The Voice of Silence: Women’s Literacy in a Men’s Church, edited by Thérèse de Hemptinne and María Eugenia Góngora, Turnhout, Brepols, 2004, pp. 57-81. Brepols Online, doi:10.1484/M.MCS-EB.3.3594. François, Anne-Lise. “Ungiving Time: Reading Lyric by the Light of the Anthropocene.” Anthropocene Reading: Literary History in Geologic Times, edited by Tobias Menely and Jesse Oak Taylor, The Pennsylvania State UP, 2017, pp. 239-58. Gaard, Greta. “Women, Water, Energy: An Ecofeminist Approach.” Organization & Environment, vol. 14, no. 2, 2001, pp. 157-72. JSTOR, www.jstor.org/stable/26161568. Helmreich, Stefan. “The Genders of Waves.” Women’s Studies Quarterly, vol. 45, nos. 1-2, 2017, pp. 29-51. Project Muse, doi:10.1353/wsq.2017.0015. Mentz, Steve. An Introduction to the Blue Humanities. Routledge, 2024. Neimanis, Astrida. “Feminist Subjectivity, Watered.” Feminist Review, vol. 103, no. 1, 2013, pp. 23-41. Sage Journals, doi:10.1057/fr.2012.25. ---. “Water and Knowledge.” Downstream: Reimagining Water, edited by Dorothy Christian and Rita Wong, Wilfrid Laurier UP, 2017, pp. 51-68. Theweleit, Klaus. Male Fantasies, I. Women, Floods, Bodies, History. Translated by Stephen Conway, foreword by Barbara Ehrenreich, U of Minnesota P, 1987.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.004
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.019
Threshold uncertainty score0.038

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.004
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0050.013
Scholarly communication0.0060.004
Open science0.0000.003
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0030.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.014
GPT teacher head0.222
Teacher spread0.208 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

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Citations0
Published2025
Admission routes1
Has abstractyes

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Same venueDigital Access to LibrariesSame topicEcocriticism and Environmental LiteratureFrench-language works237,207