Shifting Ground - Muuttuva maa : Volcana Arctica 2022-2023:wool, mixed media textiles and charcoal on wood / villa, tekstiilit ja hiili puulle
Bibliographic record
Abstract
The exhibition ‘Shifting Ground’ is envisioned as a platform for transnational creative encounters with the everyday experience of climate change in rural and remote communities of Lapland and northern Canada. ‘Shifting Ground’ aims to contribute new artistic perspectives of Northern communities, peoples, and cultural contexts whose orientations in the global community are fundamentally shifting as a result of climate change. What is the visual language of resource extraction and climate change? How can artworks shift attention to energy in place, represent local realities and figuring futures? How can we use artistic research[1]creation to disrupt the scale of our climactic imaginaries, bringing climate change into view as both an abstract, ‘system-wide’ and visceral, ‘here-and-now’ process that reflect northern experiences? In many ways, artists living and working in Northern ecologies – where the markers of climate change grow ever[1]more salient, and where the rate of warming far exceeds that of more southerly regions – are uniquely positioned to respond to such questions, and to consider the adaptations, challenges, and future possibilities that emanate from them. Shifting Ground – Muuttuva maa invites proposals from artists living in and working on issues of import to Northern ecologies, and which consider climate change through such lenses as: Extraction, consumption, commodification Technologies of adaptation Infrastructure and the built environment Site-specific, collaborative, or context-sensitive pedagogies Water security, habitat loss, or environmental justice Mapping or counter-cartography
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.005 | 0.001 |
| Scholarly communication | 0.003 | 0.001 |
| Open science | 0.000 | 0.002 |
| Research integrity | 0.001 | 0.001 |
| Insufficient payload (model declined to judge) | 0.024 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".