Bibliographic record
Abstract
Abstract: In producing Chungmi Kim's eponymous Hanako (1999), the first Asian American play on the topic of “comfort women,” East West Players (EWP) provided a critical space for addressing this devastating chapter of Asian history and showing its relevance to communities in the United States. It also inadvertently launched the play on a ten-year transpacific journey as Comfort Women (2004) in New York and as Nabi (2005–9) throughout South Korea and Canada. Hanako dramatizes the intergenerational bonds between a Korean American university student, her grandmother, and Korean “comfort women” survivors who travel to New York to give their public testimonies. As the play develops, one learns that the grandmother has been repressing her own memories of enslavement as one of an estimated two hundred thousand young girls and women euphemistically called “comfort women” whom the Japanese Imperial military forced into sexually servicing its troops in the years leading up to and during World War II. Survivors kept their wartime experiences a secret from the public until the early 1990s, when a social movement for redress emerged in Asia. Over the past two and a half decades, activists and artists from around the world have joined survivors in their quest for justice. The recent agreement in 2015 between South Korea and Japan to “resolve” the “comfort women” issue sparked outcry from survivors and their supporters for its insincerity and inadequacy, further galvanizing the movement. Hanako and its afterlives as Comfort Women and Nabi are part of the transpacific culture of political activism and artistic expression that contends with the ongoing struggle over the history of “comfort women.”
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.002 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one teacher head, not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".