Alexandra Exter's work on the stage of the chamber theater in the context of the philosophical and artistic ideas of the era in Russia and Western Europe
Bibliographic record
Abstract
This Dissertation researches the artwork of A. Ekster on the stage of the Chamber Theatre in the context of the philosophical and creative ideas of the time period in Russia and Western Europe, and the possibilities to transfer into practice the theoretical statements concerning the development of scenographic art. This work researches the first quarter of the 20th c. with special focus on 1916-1921, when A. Tairov and A. Ekster staged three key plays in the Chamber Theatre (Tamira Kitared, Salome and Romeo and Juliet). The research method combines cultural and historical approach with the principles of contextual analysis of the researched material; it also draws from the tradition of the established sources on theatre criticism and the national studies of the dramatic art. The work analyzes the legacy of A. Ekster in relation with such unique event as the Chamber Theatre. An important point was to include the practical and scenographic experience in the overall picture of art and spiritual life of the early 20th c. while showing its wide spectrum of events and trends, and to define the place of the Chamber Theatre in the context of scenographic explorations of the time period, and to highlight the main ideas in the artist’s presence in the theatre in the first quarter of the 20th c. In practical aspect, the dissertation material can be used in lectures on the history of Russian theatre, for methodological research on concrete aspects of scenographic development in the 20th
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.002 | 0.003 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.004 | 0.006 |
| Scholarly communication | 0.004 | 0.003 |
| Open science | 0.001 | 0.002 |
| Research integrity | 0.001 | 0.002 |
| Insufficient payload (model declined to judge) | 0.004 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".