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Record W7132487107

Politics

2005· other· en· W7132487107 on OpenAlexaboutno aff
Graciela Martínez-Zalce Sánchez

Bibliographic record

VenueMiCISAN · 2005
Typeother
Languageen
FieldEconomics, Econometrics and Finance
TopicCinema and Media Studies
Canadian institutionsnot available
Fundersnot available
KeywordsRepresentation (politics)PoliticsNationalismWork (physics)Shot (pellet)
DOInot available

Abstract

fetched live from OpenAlex

hy should we use two U.S. films as an example of the representation of the U.S.-Canadian border?Well, precisely because by taking an ironic look at the representation of both sides, they subvert the traditional idea of nationalism and recycle national values to de-mystify them.Michael Moore, today world famous thanks to his work as an anti-Bush documentary film maker, shot the film Canadian Bacon in the mid-1990s.A few years later Trey Parker and Matt Stone (also famous thanks to their television series) produced South Park: Bigger, Longer & Uncut, a title which is an obvious intertext of Canadian Bacon. 2 The border condition, accentuated by the force of the waterfall, is present from the beginning of Canadian Bacon.During the credits, a panoramic take of Niagara Falls, the natural border between the United States and Canada, accompanied by the ironic musical score ("God 75

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.193
Threshold uncertainty score0.000

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.001
Science and technology studies0.0030.002
Scholarly communication0.0060.003
Open science0.0000.002
Research integrity0.0020.002
Insufficient payload (model declined to judge)0.1930.058

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.025
GPT teacher head0.223
Teacher spread0.197 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2005
Admission routes1
Has abstractyes

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Same venueMiCISANSame topicCinema and Media StudiesFrench-language works237,207