Tactical Dramaturgies: Media, the State, and the Performance of Place-Based Activism
Bibliographic record
Abstract
This dissertation seeks to develop a theory of protest as it relates to the tactics and mobilizations of specific groups and the performance of their ethical, aesthetic, and philosophical responses to the contested relationships between state and space. In doing so, I make use of theoretical frameworks provided by performance, the social production of space, and media theories in order to develop a theoretical analysis of resistant practices of Idle No More, Occupy Wall Street, and the Zapatista Army of National Liberation (EZLN). In these sites I explore moments of performative resistance that challenge the supremacy of state power, dominion over language and voice, control of the body, and agency over space. Primarily informed by Marxist spatial theory, supplemented by additional postcolonial and feminist theory and Indigenous knowledges, I examine digitally-enabled networks of solidarity and place-based activism that take up a critical stance towards digital networks, technologies, and cultures. My theoretical fusion of Henri Lefebvre, Brechtian performance traditions, and Glen Coulthard’s challenge to recognition politics, generates for me a form of critique that makes the case for an inclusive and empowering spatial ethics. I have, therefore, sought to highlight the threads that connect these different philosophies and to seek out some of those places where such ethics can be put into practice through radical performances of political resistance. These mobilized performances which enact the tensions between margins and centres, ephemerality and materiality, localism and international solidarity, become the elements of a tactical dramaturgy that reveals the precarity of those ideologies and mechanisms of oppressive power. Drawing on examples from these acts of political resistance, the sites and theory come together in my analysis under three broad themes: the voice as a challenge to the universal, the occupation of space as a challenge to state spatial supremacy, and the invocation of the mortified body as a rejection of the biopolitical state.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.004 | 0.007 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.002 | 0.001 |
| Science and technology studies | 0.007 | 0.034 |
| Scholarly communication | 0.011 | 0.008 |
| Open science | 0.001 | 0.009 |
| Research integrity | 0.002 | 0.003 |
| Insufficient payload (model declined to judge) | 0.007 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".