The power of magic: representations of women in selected contemporary magic realist fiction from Latin America, English Canada, and Quebec
Bibliographic record
Abstract
This study explores the representation of women in contemporary magic realist texts from Latin America, English Canada, and Québec. From a feminist standpoint, it examines how men and women writers represent women characters in texts that allegorically use supernatural power to denaturalize social power. Intracultural, and intercultural considerations of these New World texts reveal shared approaches, both positive and negative, to women's identities and roles. In the more progressive works—Isabel Allende's La casa de los espíritus, Jack Hodgins's The Invention of the World, Anne Hébert's Les fous de Bassan, and Michel Tremblay's La grosse femme d'à côté est enceinte—women characters use naturalized supernaturalism (defined as the casual presence of the supernatural in the natural world) to affirm feminine subjectivity and freedom. The assumption of mythic forms or an engagement with the occult can give a female character mobility, spiritual freedom, and pleasure. But the power figuratively expressed through the supernatural is denied women in Gabriel García Márquez's Cien años de soledad, Sheila Watson's The Double Hook , Anne Hébert's “L'ange de Dominique,” and Jacques Ferron's L'amélanchier. Moreover, masculine supernatural power is often affirmed through juxtaposition with a reduced form of feminine magic power. This latter form—in which a natural phenomenon is treated as supernatural—reinforces women's “natural” identities as passive, giving, and unpredictable beings. Indeed, the reader's sense of “nature” is disturbed so that s/he will re-examine, and thus confirm, what is “true”. Although issues of identity, resistance, and tradition unite the texts as they challenge Old World ideologies and assert a New World consciousness, a denaturalization of women's stereotypical identities is not a common trait. In fact, problematic aspects of other supernatural traditions—such as the universality and hierarchy of traditional myth, or the limited feminine roles within fairy tales—reappear with new vigour. The magic feminist texts, however, subvert tired forms and themes by using them to empower women characters. They take advantage of magic realism's ability to disrupt “reality” in order to challenge the reader's sense of the known and the possible.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.003 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.003 | 0.004 |
| Science and technology studies | 0.022 | 0.010 |
| Scholarly communication | 0.005 | 0.002 |
| Open science | 0.001 | 0.003 |
| Research integrity | 0.001 | 0.002 |
| Insufficient payload (model declined to judge) | 0.008 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".