MétaCan
Menu
Back to cohort
Record W7135074045 · doi:10.7202/1123898ar

Shared Sensorialities: Reshaping Cinema through Neurodiversity. A Conversation with Steven Eastwood on <i>The Stimming Pool</i> (2024)

2025· article· fr· W7135074045 on OpenAlexaffvenue
Maxime Michaud, Justine Dorval

Bibliographic record

VenueCinémas Revue d études cinématographiques · 2025
Typearticle
Languagefr
FieldComputer Science
TopicDigital Media and Philosophy
Canadian institutionsUniversité du Québec à Montréal
Fundersnot available
KeywordsMovie theaterConversationFilmmakingAgency (philosophy)

Abstract

fetched live from OpenAlex

In this conversation, filmmaker and researcher Steven Eastwood reflects on the collaborative process behind the creation of The Stimming Pool (2024), co-directed with neurodivergent members of the Neurocultures Collective. He discusses the ethical and aesthetic stakes of a co-creation in which atypical subjectivities are not merely represented but actively participate in redefining the very codes of cinema. Reflecting on working methods grounded in slowness, trust, and attentiveness, Eastwood describes the development of an “autistic camera” and the exploration of non-linear narrative forms grounded in alternative perceptual regimes. Far from an illustrative or explanatory approach, the film embraces sensory and relational co-experimentation. In doing so, it offers a shift in perspective: a cinema shaped through alterity, resonance, and the shared inhabiting of divergent perceptual worlds.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Scholarly communication
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.918
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0010.003
Science and technology studies0.0010.001
Scholarly communication0.0010.003
Open science0.0020.001
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.051
GPT teacher head0.249
Teacher spread0.199 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designTheoretical or conceptual
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2025
Admission routes2
Has abstractyes

Explore more

Same venueCinémas Revue d études cinématographiquesSame topicDigital Media and PhilosophyFrench-language works237,207