Bibliographic record
Abstract
The thesis for the Master of Music degree in Composition consists of live performances of original works composed during graduate study. The student is expected to have written and have performed approximately an hour of music for various media. My compositions were performed on: A Set of Various Future Times ("'... but not all'") as Foretold by Tsui Pen's Garden of Forking Paths, performed by the Bozzini String Quartet on April 28th, 2007 for the Composer's Kitchen Workshop (9.29) The Arcturus Agora, read by the Vancouver Symphony Orchestra on April 19th, 2007 (6.32) Orfeo Beyond Thunderdome !, performed by the Ad Mare Quintet for the Music in the Schools Outreach Program in a series of concerts in April, 2007 (2.50) 'Crazy Jane and the Bishop', performed on April 3rd, 2007 by Margo Levae, Mike Broder, Mark McGregor, Nicholas Jacques, Joy Yeh, and Grace Harvey and directed by Francine Dulong in the UBC Recital Hall, Vancouver, BC (9.20) The Arcturus Agora, read by the Victoria Symphony Orchestra on February 2nd, 2007 (6.04) Le Portail d'Asni, performed on January 26th, 2007 by the UBC Contemporary Players in the UBC Recital Hall (8.10) On Nights Like Tonight..., performed September 10th, 2006 by the Aventa Ensemble in the Philip T. Young Recital Hall, Victoria, BC (5.32) Il Pleut, Il Pleut Bergere: Variations on a Folk Melody, performed on April 8th, 2006 by Mark McGregor, Jessica Raposo, Jennifer Butler, and Sara Kalke in the UBC Recital Hall, Vancouver, BC (7.44) Sketches for Three Pianos After Paintings by G. Richter, performed on March 20th, 2006 by Jesse Popov, Aleks Szram, and Brad Stark in the UBC Recital Hall, Vancouver, BC (9.09)
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.004 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.001 |
| Bibliometrics | 0.002 | 0.002 |
| Science and technology studies | 0.004 | 0.001 |
| Scholarly communication | 0.007 | 0.004 |
| Open science | 0.002 | 0.005 |
| Research integrity | 0.002 | 0.002 |
| Insufficient payload (model declined to judge) | 0.661 | 0.494 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; the direct Gemma label and the distilled Codex classifier agree on what is shown here.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".