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Record W7142156220 · doi:10.5281/zenodo.19292978

A arquitetura de museus de Arte Moderna no Movimento Moderno

2006· article· pt· W7142156220 on OpenAlex
Cêça Guimaraens, Margaret Chokyu, Simone Guerra, Vânia Polly

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueOpen MIND · 2006
Typearticle
Languagept
FieldArts and Humanities
TopicHistory of Education Research in Brazil
Canadian institutionsWilfrid Laurier University
Fundersnot available
KeywordsArchitectureRenaissance artValue (mathematics)Modern artPublic art

Abstract

fetched live from OpenAlex

Resumo: O trabalho apresenta o projeto arquitetônico do Museu de Arte Moderna do Recife, elaborado pelo arquiteto Acácio Gil Bórsoi com base em estudos reconhecidos pelo valor documental e histórico que consideram o "museu" do ponto de vista formal e dos aspectos ideológicos e políticos. Observa-se que a integração da arte à arquitetura no Movimento Moderno fez com que o "museu de arte" traduzisse, com certa exclusividade formal, as iniciativas de superação de padrões arcaicos e os ímpetos de atualização de grupos de artistas e intelectuais. Assim, no cenário nacional, o espaço museográfico revelou-se lugar adequado para as diferentes atividades educacionais e as "novas", porque ditas modernas, expressões artísticas. Verifica-se, portanto, que o engajamento na promoção da cultura de figuras proeminentes do mundo empresarial possibilitou a Recife, ao lado das cidades do Rio de Janeiro, São Paulo e Salvador, a realização de experiências simultâneas e adequadas aos novos parâmetros estéticos. Embora não construído, o projeto do pequeno MAM-Recife contém apropriadas referências aos modelos em voga nos meados da década de 1950. Os padrões de concepção plástica modernista, também utilizada por Reidy no MAM-Rio, e a recente transformação de uso do Paço Imperial no Rio de Janeiro, balizam as comparações com o MAM-Recife, constituindo tópico de interesse para a verificação das supostas influências da Escola Carioca no Modernismo Nordestino. Abstract: This work presents the architectural design of the Musem of Modern Art of Recife, elaborated by the architect Acácio Gil Borsói based in studies recognized by their documental and historical value that consider the "museum" from the point of view of the form and of the political and ideological aspects. It is observed that the integration of art to the architecture during the Modern Movement made that "museum of art" translated, with a certain formal exclusivity, the initiatives to transcend the archaic patterns and the impetus of modernization of artists and intellectual groups. Due to this, in the national scene, the museographic space revealed itself a place suited for the different educational activities and the "new", because meant modern, artistic expressions. So, it is verified that the engagement in the promotion of culture of personages come from the enterprise world let the capital of Pernambuco, among the cities of Rio de Janeiro, São Paulo and Salvador, the happening of simultaneous experiences and fitted to the new aesthetical parameters. Although not built, the project of the small MAM-Recife holds appropriates references to the models in vogue during the 1950's. The patterns of modern plastical conception, also used by Reidy, in MAM-Rio, and the recent transformation of use of Paço Imperial in Rio de Janeiro, guide the comparisons with the MAM-Recife, constituting topic of interest for the verification of supposed influences of the Carioca School on the Brazilian Northeastern Modernism.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Scholarly communication, Insufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.173
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.000
Scholarly communication0.0020.001
Open science0.0010.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0890.011

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.077
GPT teacher head0.341
Teacher spread0.265 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it