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Record W7143679392 · doi:10.32286/0002000116

ブルーノ・タウトと煉瓦 : その意識化の契機

2023· article· ja· W7143679392 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueInstitutional Repositories DataBase (IRDB) · 2023
Typearticle
Languageja
FieldEngineering
TopicCivil and Structural Engineering Research
Canadian institutionsnot available
Fundersnot available
KeywordsQuarter (Canadian coin)ConfusionWork (physics)Period (music)China

Abstract

fetched live from OpenAlex

In his book Japanese Houses and Lives, Bruno Taut discusses how the Japanese daiku (carpenter) is comparable with the Western mason (which is sometimes translated as wall workers in Japan), an artisan ferro-concrete who builds houses and other structures. However, when Taut arrived in Japan in 1933, he was sometimes introduced to people as a kind of sakan (plasterer). This might be one reason why few people hired him to do construction work during his stay in Japan. The misunderstanding of his profession was caused by a difference in the construction traditions of Japan and the West. Generally speaking, the Western mason builds by piling up bricks, while the Japanese carpenter builds by erecting pillars and putting a roof on top of them. Taut enrolled in the Königliche Baugewerksschule (the Royal School for Professional Construction) and graduated in March 1901 with excellent grades. The school’s name had various translations into Japanese, which caused confusion when it came to understanding the kind of work its graduates did. Construction work was traditionally done by professional people trained in private workshops. The school’s system for construction was then rather new both in Europe (where it started around the beginning of the nineteenth century) and in Japan (where it started in the third quarter of the century). Taut wrote in his Vitae (the book referred to above) that he had graduated in 1902. It is not known why he claimed to have graduated a year later than he actually did. Was it just a mistake, or did he think of his activities in Hamburg and Wiesbaden in 1902 as merely a trial run? These cities were renowned as places where “brick expressionism” in architecture-which was derived from the new medievalism of the nineteenth century-had flourished. In 1903, Taut began working in the Berlin office of Bruno Möhring, a specialist in the new building methods that combined steel and masonry and used them in ephemeral, eye-catching designs for exhibition pavilions. During that year, Taut often went to Chorin, a town which had the ruins of an old cloister that stood near a lake and that had been built using medieval masonry techniques, and this derelict structure might have given him new ideas for the use of bricks. In his well-known Glass Pavilion (1914) he used not only glass and steel effectively but also masonry materials like brick and tiles, items whose cubic forms resonated with the Jugentstil (modern style) designs and the currents of Cubism like those seen in Robert Delaunay’s Orphism. Brick was a material that always stimulated Taut and that he periodically abandoned but then returned to.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Insufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.646
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.001
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.002
Science and technology studies0.0010.000
Scholarly communication0.0000.001
Open science0.0010.001
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0000.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.021
GPT teacher head0.263
Teacher spread0.242 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it