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Record W7155172204 · doi:10.7202/1124300ar

Binômes interartistiques. L’impact du théâtre et de la danse sur les méthodes de création musicale de Georges Aperghis et Thierry De Mey

2025· article· en· W7155172204 on OpenAlexvenueno aff
Krystina Marcoux, Isabelle Héroux

Bibliographic record

VenueRevue musicale OICRM · 2025
Typearticle
Languageen
FieldSocial Sciences
TopicLiterature, Musicology, and Cultural Analysis
Canadian institutionsnot available
Fundersnot available
KeywordsMetanarrativeContext (archaeology)Identity (music)

Abstract

fetched live from OpenAlex

Peu d’études se sont penchées sur l’influence directe de la danse ou du théâtre sur les méthodes de création musicale des compositeurs collaborant étroitement avec ces milieux artistiques. Dans le cas de Georges Aperghis, les recherches se sont souvent limitées à son traitement de la voix ou du texte, tandis que celles portant sur Thierry De Mey se sont centrées sur ses réalisations pour le cinéma ou la danse. Or, leur relation respective avec Antoine Vitez et Anne Teresa De Keersmaeker, et l’impact de ce dialogue sur leurs processus créatifs, demeurent largement sous-étudiés. Pour combler cette lacune, cet article adopte une double approche documentaire et analytique, s’appuyant sur des entretiens, l’examen d’archives et la comparaison des spectacles Jojo (1990) et Simplexity (2016). Il en ressort que l’improvisation, la fragmentation, la mise en tension et le rôle actif des interprètes constituent des pratiques récurrentes, confirmées par l’étude d’autres oeuvres. En définitive, l’interdisciplinarité induite par ces collaborations renouvelle profondément la démarche compositionnelle d’Aperghis et de De Mey.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.002
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.590
Threshold uncertainty score0.946

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0020.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.001
Science and technology studies0.0010.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.025
GPT teacher head0.356
Teacher spread0.330 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2025
Admission routes1
Has abstractyes

Explore more

Same venueRevue musicale OICRMSame topicLiterature, Musicology, and Cultural AnalysisFrench-language works237,207