Дискографія Капели бандуристів імені Тараса Шевченка Північної Америки
Bibliographic record
Abstract
This article deals with the discography (audio recordings) of the Ukrainian diaspora prominent collective – The Taras Shevchenko Ukrainian Bandurist Chorus of North America (Detroit, USA) in the context of bandura art development research actualization in Ukraine, as well as abroad, in particular, the celebration of the 100th anniversary of the collective (2018). Along with active performing activities, with triumphant performances in Massey Hall (Toronto, Canada) and the White House (Washington, USA), chorus recorded their tunes, issued numerous LP, cassettes, audio and video tapes, working with more than 600 pieces of bandura and choral repertoire. The purpose of the article is to analyze the recordings of The Taras Shevchenko Ukrainian Bandurist Chorus from the standpoint of repertoire-thematic, genre, interpretational, instrumental, performance and style aspects. The historical retrospective of the discography of the collective is being made, the latest anniversary disc “Brothers! We Shall Live!” (2018) is being inducted into the scientific circulation, which defines a the research.The thematic spectrum of the band’s recordings is being noted. In particular, Chorus created a rich catalog of recordings, which included Ukrainian choral classics by M. Berezovskyi, D. Bortnianskyi, A. Vedel, O. Koshits, M. Lysenko, S. Liudkevych, K. Stetsenko, A. Hnatyshyn, and works by H. Khotkevych, H. Kytastyi, P. Potapenko, numerous Ukrainian folk songs, cantos, psalms.It’s being noted that Chorus performing tours became an impetus for the fixation of the repertoire – recordings of the topical thematic directions, as evidenced by the names of the albums: “Again With You, My Ukraine”, “Black Sea Tour”, “Ukrainian Steppes”, “Bandura Christmas” and others.The article uses historical, axiological, musicological and cultural approaches and corresponding methods that determine the research methodology. In particular, the historicalchronological method is being used to consider the sequence and stages of the recording work by the Chorus, axiological – to determine their artistic value, musicological and cultural methods will contribute to various aspects of the art analysis of The Taras Shevchenko Ukrainian Bandurist Chorus in world cultural space.Conclusions. The records of the The Taras Shevchenko Ukrainian Bandurist Chorus identified the processes of folk instruments upgrade in the diaspora, in particular the Kharkiv-type bandura of masters P. and O. Honcharenko, Y. Pryimak, M. Liskivskyi, A. Chornyi, M. Diakivskyi, A. Birko and others.The analysis of the chorus recordings allowed determining the dynamics of both general tendencies of preservation and reproduction of chorus performance and artistic achievements in different periods of its functioning under the direction of conductors H. Kytastyi, V. Bozhyk, P. Potapenko, V. Kolesnyk, O. Makhlai and others.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.002 | 0.003 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.002 | 0.002 |
| Science and technology studies | 0.002 | 0.003 |
| Scholarly communication | 0.005 | 0.002 |
| Open science | 0.000 | 0.002 |
| Research integrity | 0.001 | 0.002 |
| Insufficient payload (model declined to judge) | 0.019 | 0.008 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".