Творча і наукова діяльність Андрія Горняткевича (Канада) в контексті розвитку бандурного мистецтва України та діаспори
Bibliographic record
Abstract
This article deals with generalized analysis of artistic and scientific activity by famous performer and researcher from Canada – Andrij Hornjatkevyč (Edmonton), in context of bandura art development in Ukraine and abroad. This article deals with the complex analysis of Andrij Hornjatkevyč 's multi-vectoral activity, based on the research and popularization of kobzar art of past and present times. The phases of his life path and professional development, activity in spheres of Ukrainian language research, Ukrainian oral and music folklore, traditions of authentic kobzar movement, popularization of epic kobzar repertoire are being pointed out, and this is the first time for the information to be entered in scientific circulation as introductory research.The methodology of the study encompasses historical, systemic, axiological, cultural lens approaches and corresponding specific techniques of scientific knowledge: historical and chronological, systematic classification methods etc. Among priority subjects of scientific researches by Andrij Hornjatkevyč there are past and modern kobzar movements, especially about kobza-bandura, traditional kobzar art, articles-potraits of Ukrainian diaspora artistic personalities – Zinoviy Shtokalko, Hryhoriy Kytasty, Mykhaylo Teliha. These topics are being analyzed. Publication cycle about Lebian language, its meaning, interpretative dictionaries are also being reviewed.Andrij Hornjatkevyč’s contribution to the decryption and editing of Zinoviy Shtokalko’s methodical and repertoire manuscripts, publishing preparations and issue of «A Kobzar Handbook» – «Kobzarskyi pidruchnyk» (1992) and music sheet collection «Kobza» (2002), and also the research and generalization of sound recording activity and legacy of this bandura player are being noted.The general characteristics of Andrij Hornjatkevyč’s personal repertoire as musician-performeris are being made. It covers traditional genres of kobzar movement – dumas, historical songs, instrumental melodies.Simultaneously, personal features of Andrij Hornjatkevyč as a member of Ukrainian community, scientific and artistic organizations and unions – «Plast», Ukrainian Free Academy of Sciences, Shevchenko Scientific Society, Ukrainian National Composers’ Union are being underlined.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.002 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.003 | 0.003 |
| Science and technology studies | 0.002 | 0.004 |
| Scholarly communication | 0.007 | 0.002 |
| Open science | 0.000 | 0.002 |
| Research integrity | 0.001 | 0.001 |
| Insufficient payload (model declined to judge) | 0.013 | 0.004 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".