MétaCan
Menu
← Back to cohort
Record W7161797734 · doi:10.82308/34681

Poésie et ironie chez Jean-Aubert Loranger, Saint-Denys Garneau, Roland Giguère et Jacques Brault

2014· dissertation· fr· W7161797734 on OpenAlexaboutno aff
Thomas Mainguy

Bibliographic record

Venuenot available
Typedissertation
Languagefr
FieldSocial Sciences
TopicLiterature, Musicology, and Cultural Analysis
Canadian institutionsnot available
Fundersnot available
KeywordsIronyPoetryLyricismSkepticismRomanceSubject (documents)AbsurdityRomanticismDenotation (semiotics)

Abstract

fetched live from OpenAlex

This dissertation deals with irony in twentieth-century Québécois literature, more specifically in the works of Jean-Aubert Loranger, Hector de Saint-Denys Garneau, Roland Giguère, and Jacques Brault. Although it is clear that the patriotic imperatives of French-Canadian romanticism favoured a form of lyricism that enhanced the epic material, this dissertation aims to show that Québécois poetry also includes another romanticism, best understood through irony. The irony in question is not rhetorical; rather it derives from German romantic philosophy in the sense that it defines itself less as a figure of speech than as a mode of understanding the world through astonishment and scepticism. This double pull – toward astonishment and toward scepticism – is precisely what the poems of Loranger, Saint-Denys Garneau, Giguère, and Brault explore. In accordance with the Greek etymon eîron (the one who questions), the irony they use questions obvious facts and established values, starting with those related to poetry itself. By adopting a self-reflexive position and by turning to other forms like the tale and the fable, both subject to playfulness, humour and levity, the writers always keep a distance from poetry. But poetry is not the sole target of their irony. It also aims at reality and the clichés that make reality artificial. It is, in addition, directed at the poet himself and the poetic “I”, both perceived as suspicious constructions. Nevertheless, their irony subtly displays a certain tenderness towards what it derides. Thus, its detachment does not give way to any feeling of disgust or bitterness.This dissertation is divided into five chapters. The first one intends, in an introductory way, to reread romanticism by focusing on the critical spirit of poetry, which takes the form of a metaphysical irony. This specific type of irony is what is closely examined in the next four chapters, dedicated respectively to the works of Loranger, Garneau, Giguère, and Brault. Such a chronological structure highlights the overall coherence of the corpus; it also sheds light on a spirit of levity and an ethics of distance that play a decisive role in the Québécois poetic modernity.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.794
Threshold uncertainty score0.415

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0100.008
Scholarly communication0.0050.001
Open science0.0000.001
Research integrity0.0020.003
Insufficient payload (model declined to judge)0.0080.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.017
GPT teacher head0.296
Teacher spread0.280 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2014
Admission routes1
Has abstractyes

Explore more

Same topicLiterature, Musicology, and Cultural Analysis→French-language works237,207→