MétaCan
Menu
Back to cohort
Record W7161987041 · doi:10.59236/emro.v26i8a8301

Las Abogadas

2024· article· W7161987041 on OpenAlexaboutno aff
Erica Swenson Danowitz

Bibliographic record

VenueEducational Media Reviews Online · 2024
Typearticle
Language
FieldSocial Sciences
TopicFeminist Theory and Gender Studies
Canadian institutionsnot available
Fundersnot available
KeywordsImmigrationRefugeePoliticsImmigration reformGovernment (linguistics)RhetoricBattleImmigration lawImmigration policy

Abstract

fetched live from OpenAlex

Distributed by New Day Films, 350 North Water Street Unit 1-12, Newburgh, NY 12550; 888-367-9154Produced by Laura Seltzer-Duny and Careen ShannonDirected by Victoria Bruce2023, Streaming, 92 mins Many Americans and politicians view immigration as a problem that poses a threat to the well-being and status quo of the nation. In recent years anti-immigration sentiment has increased with the United States government creating policies such as the Migrant Protection Protocols (MPP) to impede immigrants or potential asylum seekers from entering the country. Las Abogadas takes the viewer beyond the rhetoric and political strategizing, to the front lines, where hopeful migrants in Mexican border towns such as Matamoros and Tijuana live in camps waiting to gain entry to the United States. This film introduces individuals and families who fled violence or political unrest in countries such as Cameroon, Cuba, El Salvador, Haiti, and Honduras. It also highlights immigration attorneys who set up legal clinics in Mexico to assist migrants facing an uphill battle to enter the United States. The attorneys featured in the film are all women who are selflessly dedicated to helping others especially in the face of tighter border restrictions. They drive hundreds of miles around Mexico meeting with potential asylum seekers who have fled dangerous situations in their home countries. These attorneys speak multiple languages including Spanish and French. They assist migrants with questions related to American immigration laws or what to expect when attempting to enter the United States. Migrants include a woman going blind, a single mother with her children fleeing gang violence, Africans escaping political unrest, and a young adult who lost both her legs while riding the dangerous Mexican “beast” train north towards the border. The filmmakers provide backstories for the attorneys and the migrants who all share sad but also inspiring histories. One lawyer suffered PTSD from working with family separation cases. Cameroonian migrants flew to Ecuador and then walked thousands of miles to Tijuana under dangerous conditions. Las Abogadas begins in early 2020 and includes the impact Covid-19 had on migrant camps and border policies. The film presents news footage from various political viewpoints as well as clips from the 2020 American presidential debate related to immigration. Watching this news coverage alongside the actual situation on the front lines further underscores the harsh realities faced by migrants which are often overlooked by voters and television cameras. As one attorney notes, most Americans pay little mind to the situation in Honduras and other nations which causes people to flee. Most migrants escaped life-threatening circumstances in their homelands but also encounter many dangers on their quest to finding a better life including risks of violence, robbery, sexual assault, and kidnapping or sex-trafficking. Living in limbo in Mexican migrant camps is also fraught with perils. The stories found in this film occasionally have happy endings as a result of the attorneys’ admirable perseverance in wading through the complicated legalities associated with assisting asylum seekers hoping to enter the United States. A new presidential administration produces only small changes with little alterations to migrant or asylum policies. Las Abogadas humanizes the migrant issue, and the struggles millions of people face every day when fleeing their homelands in search of a better life. This film is available in a variety of formats that can include public performance rights. A discussion guide is also available. It is recommended for advanced high school classes or college courses in such disciplines as Latin American Studies, Law, Political Science, and Social Justice. Awards,Winner, Best Documentary, Awareness Film Festival (CA, USA-2022); Winner, Best Documentary, LA Independent Women’s Film Awards (CA, USA-2022); Winner, Best Documentary, Pembroke Taparelli Arts and Film Festival (CA, USA-2022); Winner, Best Social Justice Documentary, Queen City Film Festival (MD, USA-2022); Winner, Best of Women’s Voices, Portland Film Festival (OR, USA-2022); Winner, Camera Eye International Mention Award, 6th International Women Filmmakers Festival (Turkey-2022); Winner, Special Jury Award for Activist Filmmaking, Arizona International Film Festival (AZ, USA-2023); Winner, Best Documentary, ONE Country ONE Film – Apchat-Issoire International Festival (France-2023); Winner, Best Documentary, Vancouver International Women in Film (Canada-2023); Winner, Best Feature, Vancouver International Women in Film (Canada-2023); Winner, Best in Fest, Valkyrie International Film Festival (NY, USA-2023); Winner, Best Documentary Feature Film, Global Cinema Film Festival of Boston (MA, USA-2023); Winner, Best Director, Global Cinema Film Festival of Boston (MA, USA-2023); Winner, Best Documentary, Vail Film Festival (CO, USA-2023)

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.003
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Insufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Review · Consensus signal: Review
Teacher disagreement score0.588
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0020.003
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0000.001
Science and technology studies0.0010.001
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0130.007

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.089
GPT teacher head0.425
Teacher spread0.336 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; both teacher heads agree on what is shown here.

Study designNot applicable
Domainnot available
GenreReview

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2024
Admission routes1
Has abstractyes

Explore more

Same venueEducational Media Reviews OnlineSame topicFeminist Theory and Gender StudiesFrench-language works237,207