Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
Distributed by Bullfrog Films, PO Box 149, Oley, PA 19547; 800-543-FROG (3764)Produced by Joel Penner and Anna SigrithurDirected by Joel Penner and Anna Sigrithur2022, Streaming, 22 mins Wrought is a visually stunning short film composed of timelapse video of organic decomposition. It explores various aspects of decomposition, breaking the film into the categories “spoil,” “ferment,” “compost” and “wrought.” In these broad categories, Wrought shows detailed imagery of food spoilage, fermentation, rotting animal corpses and growing fungi, highlighting decay by fungi bacteria and insects. Wrought is composed of close-up shots on black background, giving the viewer an unflinching view of decay. Many shots show a cross sectional view, filling the screen with the minute details of decomposition. Images are accompanied by a poetic voice over that philosophically contemplates organic decay. The film tries to challenge viewers' perception of decay by showing it in tantalizing detail, inviting the viewer to stare in grotesque fascination. The combination of intense, sometimes squeamish, imagery with florid narration makes for an interesting short film. Unfortunately, these stylistic choices hinder the film’s utility as an educational tool. The flowery narration uses vague language to talk about organic decay and does not provide enough real information about the imagery on screen to be essential viewing in a classroom setting. As Wrought is very short (22 minutes), it may be useful to show to Microbiology or Food Science courses, but those looking for a film with scientific information should look elsewhere. Wrought’s mesmerizing imagery makes it recommended for all audiences. While it is recommended for academic audiences interested in detailed visual representations of decomposition, it is lacking the scientific information needed for most classroom applications. Awards:Best New Vision Film, International Wildlife Film Festival; Emerging Filmmaker Award, Yorkton Film Festival; Avant-Garde Award, Imagine Science Film Festival; Best Overall Film & Audience Award, Fungi Film Festival; Audience Award, Vox Popular Media Arts Festival; Best Overall Film, Eating at the Edges Film Festival; Best Short Documentary, Naturvision; Best Experimental/Animation, SCINEMA International Science Film Festival; Best Short Documentary, Ecozine Film Festival
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.002 | 0.002 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.001 | 0.002 |
| Science and technology studies | 0.000 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.001 | 0.000 |
| Research integrity | 0.000 | 0.001 |
| Insufficient payload (model declined to judge) | 0.281 | 0.096 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it