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Record W75289562 · doi:10.20361/g2zk53

Learn to Speak Dance: A Guide to Creating, Performing & Promoting Your Moves by A.-M. Williams

2012· article· en· W75289562 on OpenAlexvenueaboutno aff
Trish Chatterley

Bibliographic record

VenueThe Deakin Review of Children s Literature · 2012
Typearticle
Languageen
FieldPsychology
TopicDiversity and Impact of Dance
Canadian institutionsnot available
Fundersnot available
KeywordsDanceChoreographyVisual artsContemporary danceConcert danceModern danceArt

Abstract

fetched live from OpenAlex

Williams, Ann-Marie. Learn to Speak Dance: A Guide to Creating, Performing & Promoting Your Moves. Toronto: Owlkids Books, 2011. Print. Following on the success of Learn to Speak Music by John Crossingham, dancer and dance teacher Ann-Marie Williams has compiled a second volume in the Learn to Speak series that explores the many and varied aspects of dance. The book begins with an explanation of what dance is and why we do it, then takes the reader through the stages of starting out in dance, setting up your own dance group, developing choreography, performing, and promoting your work. It ends with a brief description of a small sampling of dance styles including belly dance, Bollywood, and Broadway. Scattered throughout are quotes from current professional dancers and dance judges (mainly Canadians!) representing a wide range of styles, as well as recommendations for movies and dance videos to watch that each provide excellent examples of different elements of the dance world. The book is packed full with fun illustrations with simple, rotating colour schemes. Jeff Kulak’s drawings are sometimes abstract, sometimes cartoonlike, but unfortunately sometimes display very awkward-looking body positions and odd-looking faces. If readers are expecting a how-to guide about how to dance, they will be disappointed. Books are not the best format for learning how to move anyway. Instead, they will find more of a focus on the business side of things such as how to work well in a group, what happens backstage with lighting and sound, tips on developing a website and putting together a press release. The target age range of 9 to 13 might therefore be a bit young for this type of information. The content might be better suited for those in their upper teens who are setting up dance crews after school and are more likely to want to start organizing their own dance programs. The book aims to make dance accessible, and encourages kids with or without any experience to explore the various facets of dance. It takes a very supportive tone, and includes good suggestions for building confidence and finding your personal style. The author is definitely knowledgeable about dance and has a lot of excellent and informative advice to share. Young readers will likely require adult help, though, if trying to follow many of the recommendations. Recommended: 3 out of 4 stars Reviewer: Trish ChatterleyTrish is a Public Services Librarian for the John W. Scott Health Sciences Library at the University of Alberta. In her free time she enjoys dancing, gardening, and reading books of all types.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Review · Consensus signal: none
Teacher disagreement score0.095
Threshold uncertainty score0.317

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0000.001
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0010.001
Science and technology studies0.0020.001
Scholarly communication0.0030.004
Open science0.0010.002
Research integrity0.0020.004
Insufficient payload (model declined to judge)0.0950.087

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.015
GPT teacher head0.330
Teacher spread0.316 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreReview

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2012
Admission routes2
Has abstractyes

Explore more

Same venueThe Deakin Review of Children s LiteratureSame topicDiversity and Impact of DanceFrench-language works237,207