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Record W820760513

Localism, Landscape, and the Ambiguities of Place. German-Speaking Central Europe, 1860-1930

2008· article· en· W820760513 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueThe German Quarterly · 2008
Typearticle
Languageen
FieldSocial Sciences
TopicUrbanization and City Planning
Canadian institutionsnot available
Fundersnot available
KeywordsGermanLocalismModernism (music)ModernityHistoryArt historyClassicsIdentity (music)German studiesLiteratureSociologyArtAestheticsLawPolitical scienceArchaeologyPolitics
DOInot available

Abstract

fetched live from OpenAlex

Blackbourn, David, and James Retallack, eds. Landscape, and the Ambiguities of Place. German-Speaking Central Europe, 1860-1930. Toronto: University of Toronto Press, 2007. 280 pp. $65.00 hardcover. This well-edited volume, divided into four parts, contains ten essays selected from the international conference on Localism, Landscape, and Hybrid Identities in Imperial Germany, held at the University of Toronto in May 2005. An excellent thirty-page editors' introduction, grounded in theories of place, culture, and identity, provides a framework for the themes addressed in the essays that follow. Part I, Placing Moving Cultures, contains three essays that have in common surprising new perspectives on German culture. Celia Applegate's Music in Place, the keynote address at the conference, shows the close connections between location and music for German 19th-century composers (Wagner, Brahms, Liszt) and the difficulty music historians have had in taking into account the importance of place in their histories of German music. Jennifer Jenkins's Heimat Art, Modernism, Modernity looks at the northern German artists' colony Worpswede, in particular at one of its founding members, Heinrich Vogeler, and shows how during the last decades before World War I, German Heimatkunst included-contrary to many an art historian's claim -not only local and traditional elements, but also modern and even avant-garde ones. James Retallack's 'Native Son': Julian Hawthorne's Saxon Studies looks at the interplay between nation and province. In 1876, Julian Hawthorne (1846-1934), the thirtyyear-old son of Nathaniel Hawthorne, published his 452-page Saxon Studies, an often crudely stereotyping and misanthropic work. Despite Henry James's prediction, Hawthorne later in life did not regret having published this tome. Indeed, he was forever proud of the condemnation it elicited in Dresden, from Henry James, and from the German emperor himself. Reading between the misanthropic lines of Saxon Studies, Retallack shows us a proud Saxony struggling with the Wilhelmine authorities who made claims on it after 1871. Part II, Political Cultures, is made up of two essays on localism in a changing political landscape. By comparing local branches of various national organizations such as veterans associations from 1871 to 1914, Thomas Kuhne shows how center-periphery tensions and local politics shaped German democratic movements in different German states. Eric Kurlander describes the interplay between particularism and progressive politics in the two borderland regions of the Alsace and Schleswig-Holstein. Interestingly, the same volkisch ideology that united liberals and conservatives close to the Danish border alienated liberals, clericals, and socialists in the Alsace. …

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.805
Threshold uncertainty score0.628

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.018
GPT teacher head0.263
Teacher spread0.245 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it