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Record W828502818 · doi:10.3138/cjfs.23.1.2

From the Astonished Spectator to the Spectator in Movement: Exhibition Advertisements in 1920s Germany and Austria

2014· article· fr· W828502818 on OpenAlex
Michael Cowan

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueCanadian Journal of Film Studies · 2014
Typearticle
Languagefr
FieldArts and Humanities
TopicFrench Historical and Cultural Studies
Canadian institutionsnot available
Fundersnot available
KeywordsHumanitiesArtExhibitionArt history

Abstract

fetched live from OpenAlex

Lorsque les foires commerciales, phénomène nouveau et en voie de professionnalisation, se sont répandues après la première guerre mondiale dans des villes telles que Vienne, Francfort, Berlin et Düsseldorf, elles se sont souvent tournées vers le film comme moyen publicitaire, employant fréquemment des experts en animation ou des cinéastes d’avant-garde. En examinant les films publicitaires faits pour ces évènements, cet essai explore quelques unes des relations changeantes, dans les années 1920, entre le cinéma et la culture des foires commerciales. Les films adoptent souvent une stratégie de l’étonnement qui est commune à la publicité imprimée, aux expositions technologiques du 19ième siècle et au cinéma d’attraction des premiers temps. Mais, ils tendent aussi à illustrer un nouveau paradigme du film comme médium qui peut à la fois interpeler le spectateur et le contrôler. Cette idée du film comme moyen de direction du spectateur est en phase avec les nouvelles théories de la publicité qui sont apparues après la guerre et qui ont trouvé leur terrain d’essai précisément dans le milieu des foires commerciales.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.681
Threshold uncertainty score0.923

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.025
GPT teacher head0.221
Teacher spread0.197 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it