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Record W991017211 · doi:10.20361/g2ns40

Dilly Dally All Day Long by L. White

2014· article· en· W991017211 on OpenAlexvenueaboutno aff
Sandy Campbell

Bibliographic record

VenueThe Deakin Review of Children s Literature · 2014
Typearticle
Languageen
FieldSocial Sciences
TopicAustralian Indigenous Culture and History
Canadian institutionsnot available
Fundersnot available
KeywordsWhite (mutation)SisterBrotherStyle (visual arts)Art historyArtHistoryVariety (cybernetics)GenealogyVisual artsSociologyAnthropologyComputer scienceBiologyArtificial intelligence

Abstract

fetched live from OpenAlex

White, Leanne. Dilly Dally All Day Long. Albany, Australia: Wild Eyed Press, 2013. Print.In Australian Aboriginal origin stories, the ancestors dreamed the world into existence. The stories explain how things came to be the way that they are today and often contain morals or lessons. This “Dreamtime” is also frequently featured in Aboriginal art with the figures drawn with dotted, light-coloured outlines. While this book is about Aboriginal children in the Northern Territory and reminiscent of traditional works, it is the work of non-Aboriginal people. The whole book has a “dreamy” and idyllic feel to it. The story is a simple one. A brother and sister, Ollie and Rosie, head out towards a billabong, or water hole, and on the way they dawdle or “dilly dally”, encountering a variety of animals. They see the brolgas, bee-eaters, cranes, finches, and a lizard, all the while watching out for dangerous crocodiles. They and their friends jump into the billabong to swim, but suddenly someone spots the crocodile and everyone is frightened out. They run home and as they retreat, they revisit all of the animals, in turn, giving the book a repetitive quality that children love. Irene King’s illustrations remind the reader of Dreamtime drawings. The illustrations, she told me via e-mail, are all drawn first with white chalk outline and then filled in with colour. As a result all the figures have the characteristic white outlines. The similarity of illustration ends there, though. King’s illustration style is more complex, capturing the movement as the children dance with the brolgas and duck and dive with the bee-eaters in arcs and splashes of colour both rich and bright. The multicoloured text, which is printed over the full-page images, is simple and there are many words that appear in contrasting colours to make them stand out from the rest of the text. While one might expect those words to be in a glossary, there isn’t one. They may be part of a planned teaching package, which Wild Eyed Press sometimes creates to go along with books. The front of the book refers the reader to wildeyed press.com.au for colouring books and activities, but at the time of writing this review, the publisher had not yet made them available for this book. It is no matter, though, because the book stands on its own as a pleasant portrayal of Aboriginal children having fun in nature. For even more fun, there is a delightful bit of a twist at the end of the book as well.This would be a good book to read to a young child or an engaging work for an early reader. Highly recommended for public and school libraries. Highly recommended: 4 stars out of 4 Reviewer: Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines. Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Review · Consensus signal: none
Teacher disagreement score0.726
Threshold uncertainty score0.485

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0020.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.007
GPT teacher head0.268
Teacher spread0.261 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreReview

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2014
Admission routes2
Has abstractyes

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