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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Music Technology and Sound Studies
Retraction
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

1,398 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
Evidence
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
1,398 works in the cohort · of 4,299,418page 1 of 28

Labels cover 2 of 1,398 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 1,398 of 1,398 works in this cohort. Predictions are machine_predicted_unvalidated teacher distillation outputs. Candidate is the union; consensus is the intersection.

affunlabeled
FoleyAutomatic
Kees van den Doel, Paul G. Kry, Dinesh K. Pai
2001· article· en· Computer Science
distilled prediction:candidate · noneconsensus · none
295
citations
affunlabeled
The Oxford Handbook of Singing
2014· book· en· Oxford University Press eBooks· Computer Science
distilled prediction:candidate · noneconsensus · none
186
citations
affno abstractunlabeled
2003: Contexts of Collaborative Musical Experiences
Tina Blaine, Sidney Fels
2017· book-chapter· en· Current research in systematic musicology· Computer Science
distilled prediction:candidate · metaepi_narrow+stsconsensus · none
117
citations
affunlabeled
Acoustic Modeling Using the Digital Waveguide Mesh
Damian Murphy, Antti Kelloniemi, J. William Mullen, Simon Shelley
2007· article· en· IEEE Signal Processing Magazine· Computer Science
distilled prediction:candidate · noneconsensus · none
91
citations
afffundunlabeled
Physically based models for liquid sounds
Kees van den Doel
2005· article· en· ACM Transactions on Applied Perception· Computer Science
distilled prediction:candidate · noneconsensus · none
86
citations
affunlabeled
Audio Interaction in Computer Mediated Games
J. R. Parker, John Heerema
2007· article· en· International Journal of Computer Games Technology· Computer Science
distilled prediction:candidate · noneconsensus · none
73
citations
affno abstractunlabeled
Timbre: Acoustics, Perception, and Cognition
Kai Siedenburg, Charalampos Saitis, Stephen McAdams, Arthur N. Popper, Richard R. Fay
2019· book· en· Springer handbook of auditory research· Computer Science
distilled prediction:candidate · noneconsensus · none
66
citations
affunlabeled
Sonic interaction design
Davide Rocchesso, Stefania Serafin, Frauke Behrendt, Nicola Bernardini, Roberto Bresin, Gerhard Eckel +5 more
2008· preprint· en· Computer Science
distilled prediction:candidate · noneconsensus · none
62
citations
affno abstractunlabeled
2005: Towards a Dimension Space for Musical Devices
David Birnbaum, Rebecca Fiebrink, Joseph Malloch, Marcelo M. Wanderley
2017· article· en· Current research in systematic musicology· Computer Science
distilled prediction:candidate · noneconsensus · none
54
citations
affunlabeled
An Introduction to Musical Metacreation
Philippe Pasquier, Arne Eigenfeldt, Oliver Bown, Shlomo Dubnov
2016· article· en· Computers in entertainment· Computer Science
distilled prediction:candidate · noneconsensus · none
53
citations
affno abstractunlabeled
2013: The Web Browser as Synthesizer and Interface
Charles Roberts, Graham Wakefield, Matthew Wright
2017· article· en· Current research in systematic musicology· Computer Science
distilled prediction:candidate · noneconsensus · none
53
citations
afffundaboutunlabeled
The T-Stick
Joseph Malloch, Marcelo M. Wanderley
2007· article· en· Computer Science
distilled prediction:candidate · noneconsensus · none
50
citations
affunlabeled
Manipulating music
Timothy Beamish, Karon E. MacLean, Sidney Fels
2004· article· en· Computer Science
distilled prediction:candidate · noneconsensus · none
49
citations
afffundunlabeled
Perception of touch quality in piano tones
Werner Goebl, Roberto Bresin, Ichiro Fujinaga
2014· article· en· The Journal of the Acoustical Society of America· Computer Science
distilled prediction:candidate · noneconsensus · none
42
citations
affno abstractunlabeled
2004: The Electronic Sitar Controller
Ajay Kapur, Ariel J. Lazier, Philip Davidson, R. Scott Wilson, Perry R. Cook
2017· article· en· Current research in systematic musicology· Computer Science
distilled prediction:candidate · stsconsensus · none
40
citations
aboutno affunlabeled
Javaphilia
Henry Spiller
2015· book· sv· University of Hawaii Press eBooks· Computer Science
distilled prediction:candidate · metaepi_narrowconsensus · none
40
citations
affunlabeled
The perception of musical timbre
Stephen McAdams, Bruno L. Giordano
2012· book· en· Oxford University Press eBooks· Computer Science
distilled prediction:candidate · noneconsensus · none
39
citations
affunlabeled
<i>SwarmArt</i>: Interactive Art from Swarm Intelligence
Christian Jacob, Gerald Hushlak, Jeffrey E. Boyd, Paul Nuytten, Maxwell Sayles, Marcin L. Pilat
2007· article· en· Leonardo· Computer Science
distilled prediction:candidate · insufficient_payloadconsensus · none
35
citations

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