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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

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The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Modern Drama
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
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The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

1,363 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
Evidence
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
1,363 works in the cohort · of 4,299,418page 13 of 28

Labels cover 0 of 1,363 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 1,363 of 1,363 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

venueaboutno affunlabeled
Staging the UK (review)
Janelle Reinelt
2006· article· en· Modern Drama· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Aesthetic Prejudice in Modern Drama
Michael J. Sidnell
2001· article· en· Modern Drama· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Reviews
2009· article· en· Modern Drama
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affunlabeled
Reviews
2014· article· en· Modern Drama· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affunlabeled
Book Reviews
Janelle Reinelt, Kerry Powell, Maggie B. Gale, Dia Mohan, Lisa Wolford Wylam, Julie de Sherbinin
2006· article· en· Modern Drama· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Reviews
2009· article· en· Modern Drama
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affno abstractunlabeled
Back Matter
2015· paratext· en· Modern Drama
machine prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
venueno affunlabeled
A Look Anew at Beckett’s Other Peg
Dan Mellamphy
2006· article· en· Modern Drama· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Chekhov: The Cherry Orchard (review)
Sharon Marie Carnicke
2008· article· en· Modern Drama· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affvenueunlabeled
Frontmatter
Ric Knowles, Joanne Tompkins, W. B. Worthen, Sue-Ellen Case, Elin Diamond, Harry Elam +9 more
2003· book-chapter· en· Modern Drama· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
venueno affno abstractunlabeled
[no title]
2000· article· en· Modern Drama
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueno affno abstractunlabeled
Editor’s Note
2015· article· de· Modern Drama
machine prediction:candidate · noneconsensus · none
0
citations
venueno affno abstractunlabeled
Index to Volume 48, 2005
2005· article· en· Modern Drama· Economics, Econometrics and Finance
machine prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
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