MétaCan
Menu
Back to cohort
Record W2041042791 · doi:10.3138/md.52.3.263

From the Dreamwork of Secession to Orgies Mysteries Theatre

2009· article· en· W2041042791 on OpenAlexvenueno aff
Herbert Blau

Bibliographic record

VenueModern Drama · 2009
Typearticle
Languageen
FieldSocial Sciences
TopicCentral European national history
Canadian institutionsnot available
Fundersnot available
KeywordsPerformative utteranceSecessionCensorshipDramaManifestoArtNothingAtmosphere (unit)Art historyPaintingThe artsLiteratureHistoryPhilosophyAestheticsPoliticsVisual artsLawTheologyPolitical science

Abstract

fetched live from OpenAlex

“To the Age Its Art, to Art Its Freedom.” That abbreviated manifesto of the Viennese Secession, releasing the visual and plastic arts from an imprisoning aesthetic, would presumably carry over to all aspects of cultural performance – which, however, at the turn of the century, had nothing like the performative insolence of the long-neglected Johann Nestroy. Nor did Austrian theatre and culture escape the dynastic censorship that continued through modern history, from Schnitzler to Handke to Bernhard, who found the theatre “disgusting,” the censor still in the wings, and wrote more recently for it with a venomous critique. The critique was there, too, among the rebellious painters who became the Viennese Actionists, only too ready for scandal in a repressed culture that sent several of them to jail, though one of them now, Hermann Nitsch, has become a much-respected iconic figure. The atmosphere of Viennese culture, before and after the Secession, has been characterized by Freud and the alternative to Freud, Weininger, who performed his own suicide, and by the magisterial Karl Kraus, in his encyclopaedic drama, The Last Days of Mankind.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.768
Threshold uncertainty score0.192

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.016
GPT teacher head0.275
Teacher spread0.259 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2009
Admission routes1
Has abstractyes

Explore more

Same venueModern DramaSame topicCentral European national historyFrench-language works237,207