MétaCan
Menu
Cohort builder

4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

Search term
Author
Year range
Sort
Language
Type
Field
Venue
Topic
Art Therapy and Mental Health
Retraction
Abstract
Evidence source
Study design
Label agreement
Label status

Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

946 results · 1 filter active ·
Results by year
20002025
Publication date
Categories
Machine labels · sparse coverage
Evidence
Language
Type
Citations
An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
946 works in the cohort · of 4,299,418page 16 of 19

Labels cover 3 of 946 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 946 of 946 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

affunlabeled
Spaces of reconnection
Taiwo Afolabi, Emma Shercliff, Elaine Speight
2023· article· en· Journal of Arts & Communities· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Music and Theatre Making In Canadian Prisons
Tessa Maki
2021· article· en· Inquiry Queen s Undergraduate Research Conference Proceedings· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Review of Re-Membering by Millett-Gallant
Sheila Jennings
2015· article· en· Canadian Journal of Disability Studies· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Re-Cognizing Harassment with the Arts
Timothy Babulski
2023· article· en· Phenomenology & Practice· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affvenueunlabeled
Nicimos
Marcia Little
2021· article· en· USURJ University of Saskatchewan Undergraduate Research Journal· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Denise Clarke
Denise Clarke
2019· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
We the People... (Creative Intervention)
Mestizo Arts Activism Collective
2020· article· en· Studies in Social Justice· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
affvenueunlabeled
A Schizophrenia
Richard Guy Boulet
2009· article· en· The Brock Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affvenueunlabeled
Playbuilding and Social Change
Joe Norris
2020· article· en· LEARNing Landscapes· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Kurt Nahar: Artist Statement and Artwork
Kurt Nahar
2021· article· en· Cultural and Pedagogical Inquiry· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations

How this was built: Screen · Findings · About