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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

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The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Photography and Visual Culture
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

1,147 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
1,147 works in the cohort · of 4,299,418page 19 of 23

Labels cover 3 of 1,147 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 1,147 of 1,147 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

affunlabeled
The Agency of Portrayal
Saskia Beranek, Sheila ffolliott
2025· book-chapter· en· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
fundno affunlabeled
Pictures in an Exhibition
Lisa Birke
2013· dissertation· en· UWSpace (University of Waterloo)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Spaces in Time
2010· article· en· Afterimage· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affno abstractunlabeled
Exploring and Photographing the Empty Quarter
Lydia Beyoud
2010· article· en· Project Muse (Johns Hopkins University)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Elements for Experience
Johanna Mizgala
2006· article· en· Afterimage· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Robert Burley: The Disappearance of Darkness
Sten Rogerson
2014· article· en· Comparative technology transfer and society· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
The Kitchen : Sarah Anne Johnson
Amy Fung
2016· book· en· E-Artexte (Artexte)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Sarah Angelucci : provenance unknown
Emelie Chhangur
2015· book· en· Art Gallery of York University eBooks· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affno abstractunlabeled
FAKING DEATH, Canadian Art Photography and the Canadian Imagination, Penny Cousineau-Levine, McGill-Queen's University Press, Montréal/Kingston 2003 FAKING DEATH, Canadian Art Photography and the Canadian Imagination, Penny Cousineau-Levine, McGill-Queen's University Press, Montréal/Kingston 2003
Hélène Samson
2004· article· en· Ciel variable : Art, photo, médias, culture· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
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How this was built: Screen · Findings · About