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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Canadian Theatre Review
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

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The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

1,909 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
Evidence
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
1,909 works in the cohort · of 4,299,418page 25 of 39

Labels cover 0 of 1,909 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 1,909 of 1,909 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

venueaboutno affunlabeled
Bonus Insert
Aaron Pollard, Stephen Lawson
2012· article· en· Canadian Theatre Review· Computer Science
machine prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
venueaboutno affunlabeled
A Modo Suo (A Fable)
Tony Nardi, Calabrian Dialect, Antonino Mazza
2000· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Improvising In and Out of the Box
Camellia Koo
2010· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
To Hell with Manifestos
Daniel J. Brooks
2012· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Views and Reviews
2010· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
“This, too, belongs”
Lisa Ndejuru
2021· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Views and Reviews
Jenn Stephenson
2011· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
SummerWorks with an Accent
Kesha Patel
2021· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
In Place of Power
Lindsay Anne Black
2017· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
On <i>Reckoning</i>
Kim Solga
2016· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Collaboration Means De-Normalizing Normal
Sarah Garton Stanley
2017· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
The Numbers Game
Brad Lepp
2016· article· en· Canadian Theatre Review· Social Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Common Plants: Youth Branches
Judith Rudakoff
2008· article· en· Canadian Theatre Review· Agricultural and Biological Sciences
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Three Worlds, Three Scales
Jacob Zimmer
2008· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
View and Reviews
Laura Levin
2009· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
The Politics and Business of Playwriting
Wendy Lill, Yvette Nolan, Jason Sherman, Guillermo Verdecchia, Angela Rebeiro
2003· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Assembly: a Surreal Self-improvement Seminar
Emelia Symington Fedy, Andreas Kahre, Andrew Laurenson, Katy Harris-McLeod, Billy Marchenski, Paul Ternes
2008· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Views and Reviews
Laura Levin
2008· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
eARTh Project
Rebecca Singh
2008· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Unruly
Shawna Dempsey, Lorri Millan
2009· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Redrawing <i>The Drawer Boy</i>
Gerhard Hauck
2001· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Jens Folmer Jepsen
Jens Folmer Jepsen
2019· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations

How this was built: Screen · Findings · About