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4,299,418 works, Canadian by any of four routes.

Every filter state is a URL; the URL is the query; the query is citable via /q/⟨hash⟩. The page, the API and the export parse the same parameters.

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The current cohort, streamed from the database: every work column, the machine labels, the provisional scores, and the per-row validation status. Exports are capped at 100,000 rows. Mints a permanent /q/ link for this exact query. The same filters always produce the same link, whoever asks.

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Theatre and Performance Studies
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Direct Codex and Gemma labels are unvalidated and sparse. Distilled predictions cover the full frame and are also unvalidated. Choose the evidence source explicitly; absence of a direct label is never a negative label.

affaffiliation
fundfunder
venuejournal
aboutaboutness

The four routes compose: require the funder route and exclude affiliation to get the funder-only stratum no affiliation-based frame ever sees.

2,690 results · 1 filter active ·
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20002025
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Machine labels · sparse coverage
Evidence
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An unlabeled work is unknown, not a negative. Label coverage is reported on every query.
2,690 works in the cohort · of 4,299,418page 53 of 54

Labels cover 2 of 2,690 works in this cohort. The rest are unlabeled, which is not a negative label: the label table is sparse today and grows as labeling rounds land.

Distilled predictions cover 2,690 of 2,690 works in this cohort. Predictions are machine_predicted_unvalidated. The Gemma side is a direct model label for every work (title-only); the Codex side is a distilled, calibrated classifier. Candidate is the union; consensus is the intersection.

aboutno affunlabeled
Dear Mama - An Artistic Statement
Kendra Jones
2014· article· en· DOAJ (DOAJ: Directory of Open Access Journals)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
aboutno affunlabeled
Body Geographic
2013· article· Lincoln (University of Nebraska)· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affno abstractunlabeled
Maestro, directed by Bradley Cooper. 2023.
Elizabeth Wells
2024· article· Music and Musical Performance An International Journal· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
affvenueunlabeled
How the Bones Listen
Natalie T. Rice
2022· article· en· The Trumpeter· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
affvenueunlabeled
Crossing an Impossible Threshold
Nicole Schafenacker, Leda Davies
2023· article· en· Intonations· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Book Reviews
Emily Colborn-Roxworthy, Maria DiCenzo, Steve Giles, Rosemarie K. Bank, Brenda Murphy, Brian Parker +1 more
2006· article· en· Modern Drama· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · none
0
citations
venueaboutno affunlabeled
Book Reviews
David Krasner, Gary Jay Williams, Stephen Bottoms, Diana Brydon, Jean Graham-Jones, Jen Harvie +4 more
2001· article· en· Modern Drama· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
venueno affunlabeled
Book Reviews
Judith Hamera, Tracy C. Davis
2001· article· en· Modern Drama· Arts and Humanities
machine prediction:candidate · insufficient_payloadconsensus · insufficient_payload
0
citations
venueaboutno affunlabeled
Fresh Print in Canada
Natalie Álvarez
2012· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
How Much Fun Is That?
Pat Bradley
2005· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
The Cabot Voyages (<i>I viaggi di Caboto</i>)
Mark A. Ceolin, Anna Gaspari
2000· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Issues of the Night Time
David King
2002· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Editorial
Harry Lane
2009· editorial· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Iris’ Tours: Pitfalls, Potholes and Chutzpah
Aubry Bissett, Glenys MeQueen-Fuentes, Chris MacNaughton
2005· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Breaking Ground
Chris Dupuis
2021· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
<i>Clean Irene</i> in the Parking Lot
Evalyn Parry, Anna Chatterton
2021· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueno affunlabeled
Theater Emory's All-Male As You Like It
Emily Russ
2018· article· en· Scene Reviews of Early Modern Drama· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
<i>Still Ringing:</i> Sounds Collaborative
Bruce Barton
2007· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
venueaboutno affunlabeled
Canadian Theatre and Monuments
Joanne Tompkins
2003· article· en· Canadian Theatre Review· Arts and Humanities
machine prediction:candidate · noneconsensus · none
0
citations
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