The Baroque baryton : the origin and development in the 17th century of a solo, self-accompanying, bowed and plucked instrument played from tabulature
Notice bibliographique
Résumé
This investigation is into the origin of an instrument known almost exclusively by the ensemble compositions written in the 18th century by Joseph Haydn for his patron Prince Nicholas Esterhazy. Earlier work by Efrim Fruchtman (1960) had established the wider group of composers around Haydn at the Esterhazy Court. The work by Carol Gartrell (1983) established the known instruments and repertory for the baryton from the first quarter of the 17th century to the 20th century. From this study it was apparent that the 'classical' baryton of the Haydn / Esterhazy circle was an evolved instrument developed from an earlier period, repertory and mode of performance. \nThe earlier form of the baryton is termed the baroque baryton to identify the original instrument presumed at the outset of this investigation to originate from the first quarter of the 17th century. The scope of this work is to identify and establish the origin, design, construction, and also repertory and performance practice of the original baryton. To this end as many barytons from the 17th century as possible were to be located, personally investigated, measured, recorded and photographed. A digital archive on 'photo CD' and an information database were created. \nThe musical environment of the late 16th century was investigated to identify the musical and organological trends that led to the development of the baroque baryton which it is proposed resulted from a fusion of the bandora and the lyra viol in the first quarter of the 17th century. All compositions comprising the repertory of the baroque baryton were prepared in facsimile and instruments based on original research were commissioned. Recreation and evaluation of the original playing technique of the baroque baryton was made possible by performing the known repertory on the revived instruments. The majority of the works from the period were composed for a two manual, self-accompanying bowed and plucked, solo baryton but with some evidence of an early three-manual instrument. All the IX Partien of J.G.Krause and a representative range of all other compositions have been evaluated and performed to re-establish the playing technique, method of tone production and sound quality of the baroque baryton. The instrument, apart from this research study has remained unplayed from tablature in the correct tessituras in recent times.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,001 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,000 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».