Notice bibliographique
Résumé
Conlin, Christy A. Dead Time. / Lee, Jen S. Shelter. Single Voice Series. Toronto: Annick Press, 2011. Print. It is difficult to say which of these brief cold showers will leave you feeling happier to leap back into the warmth of the everyday. Presented back-to-back in a single volume, both novellas share an unhappy preoccupation: picking apart the threads of the past in order to untangle – or at least understand – the enmeshments the present. The narrator of Dead Time is Isabella, a teen awaiting trial for a crime which, she repeatedly insists, she did not commit. It was her boyfriend who murdered the interloping Lulu; as soon as he confesses his guilt, Isabella will be released from the grim “youth center” where she awaits trial. Author Christy Ann Conlin deploys the first-person voice masterfully— Isabella’s rage beats palpably from the page, and we are righteously indignant on her behalf. Yet the further she beckons us into her memory, recounting the events antecedent to Lulu’s murder, the uglier and less justifiable her anger becomes. So gradually is the reader’s sympathy eroded that the story’s final twist – though dimly visible all along – still manages to come as a surprise. Though more straightforward than its companion novel, Jen Sookfong Lee’s Shelter is no less dispiriting in its outcome. We begin at the unhappy end: our narrator, Abby, weeps alone on a park bench. Even before her latest catastrophe, it would seem she has plenty to cry about: maimed by debt, her parents abide in private misery, leaving Abby to run a singularly thankless household. Her only solace is a volunteer job at the local animal shelter, where she meets a beguiling young man named Sean. We know Abby’s infatuation with Sean will end badly, but the form and flavour of this badness is not revealed until Abby fully unspools her dismal yarn. Though hampered by some awkward turns of phrase- “… it feels like he’s always been part of me, like an elbow” - the story succeeds as a meditation on the blurred line between the security of a shelter – be it a house, a family, or a lover — and the confinement of a trap. Pitched at mature but not necessarily avid readers, Annick Press’s Single Voice Series entices with the promise of gritty, fast-moving narratives packaged in a clever two-for-one reversible format. Both Dead Time and Shelter are certainly gritty and, at less than 100 pages a pop, fast enough to read in one go. It is unclear, however, what the effect on their intended audience might be. Comfortless in their brevity, joyless in their details, these novels do little to stir the imagination or assuage the loneliness of the young reader. At best, they offer a frisson of discomfort, a chilling affirmation of vague adolescent unease: the world is indeed out to get you.Recommended: 3 out of 4 stars Reviewer: Sarah Mead-Willis Sarah is the Rare Book Cataloguer at the University of Alberta's Bruce Peel Special Collections Library. She holds a BA and an MLIS from the University of Alberta and an MA in English Literature from the University of Victoria.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,001 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,000 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,001 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,005 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».