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Record W1947979371 · doi:10.20361/g2wc75

Dead Time by C. Conlin / Shelter by J. S. Lee

2011· article· en· W1947979371 on OpenAlexvenueaboutno aff
Sarah Mead-Willis

Bibliographic record

VenueThe Deakin Review of Children s Literature · 2011
Typearticle
Languageen
FieldArts and Humanities
TopicContemporary Literature and Criticism
Canadian institutionsnot available
Fundersnot available
KeywordsHistoryNovellaSurpriseWitnessMacabreArtArt historyLiteraturePsychoanalysisSociologyPsychologyLawPolitical science

Abstract

fetched live from OpenAlex

Conlin, Christy A. Dead Time. / Lee, Jen S. Shelter. Single Voice Series. Toronto: Annick Press, 2011. Print. It is difficult to say which of these brief cold showers will leave you feeling happier to leap back into the warmth of the everyday. Presented back-to-back in a single volume, both novellas share an unhappy preoccupation: picking apart the threads of the past in order to untangle – or at least understand – the enmeshments the present. The narrator of Dead Time is Isabella, a teen awaiting trial for a crime which, she repeatedly insists, she did not commit. It was her boyfriend who murdered the interloping Lulu; as soon as he confesses his guilt, Isabella will be released from the grim “youth center” where she awaits trial. Author Christy Ann Conlin deploys the first-person voice masterfully— Isabella’s rage beats palpably from the page, and we are righteously indignant on her behalf. Yet the further she beckons us into her memory, recounting the events antecedent to Lulu’s murder, the uglier and less justifiable her anger becomes. So gradually is the reader’s sympathy eroded that the story’s final twist – though dimly visible all along – still manages to come as a surprise. Though more straightforward than its companion novel, Jen Sookfong Lee’s Shelter is no less dispiriting in its outcome. We begin at the unhappy end: our narrator, Abby, weeps alone on a park bench. Even before her latest catastrophe, it would seem she has plenty to cry about: maimed by debt, her parents abide in private misery, leaving Abby to run a singularly thankless household. Her only solace is a volunteer job at the local animal shelter, where she meets a beguiling young man named Sean. We know Abby’s infatuation with Sean will end badly, but the form and flavour of this badness is not revealed until Abby fully unspools her dismal yarn. Though hampered by some awkward turns of phrase- “… it feels like he’s always been part of me, like an elbow” - the story succeeds as a meditation on the blurred line between the security of a shelter – be it a house, a family, or a lover — and the confinement of a trap. Pitched at mature but not necessarily avid readers, Annick Press’s Single Voice Series entices with the promise of gritty, fast-moving narratives packaged in a clever two-for-one reversible format. Both Dead Time and Shelter are certainly gritty and, at less than 100 pages a pop, fast enough to read in one go. It is unclear, however, what the effect on their intended audience might be. Comfortless in their brevity, joyless in their details, these novels do little to stir the imagination or assuage the loneliness of the young reader. At best, they offer a frisson of discomfort, a chilling affirmation of vague adolescent unease: the world is indeed out to get you.Recommended: 3 out of 4 stars Reviewer: Sarah Mead-Willis Sarah is the Rare Book Cataloguer at the University of Alberta's Bruce Peel Special Collections Library. She holds a BA and an MLIS from the University of Alberta and an MA in English Literature from the University of Victoria.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Review · Consensus signal: none
Teacher disagreement score0.803
Threshold uncertainty score0.996

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0050.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.012
GPT teacher head0.212
Teacher spread0.201 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designNot applicable
Domainnot available
GenreReview

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2011
Admission routes2
Has abstractyes

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