Coast to Coast: Hockey in Canada to the Second World War (review)
Notice bibliographique
Résumé
Reviewed by: Coast to Coast: Hockey in Canada to the Second World War Daniel S. Mason Coast to Coast: Hockey in Canada to the Second World War. Edited by John Chi-Kit Wong. Toronto: University of Toronto Press, 2009. Pp. 256, $70.00 cloth, $29.95 paper Coast to Coast represents another addition to a body of literature that has not received widespread scholarly attention. According to the book’s editor, John Chi-Kit Wong, the overarching theme of the book explores how hockey emerged as a signifier of Canadianness (viii), while at the same time clarifying and rearticulating the formation and organization of the sport in different contexts and among different groups. In doing so, more insight into the appropriateness of viewing hockey as a common cultural experience is revealed. The book features seven chapters exploring the game through the end of the Second World War. Wong should be applauded in his attempt to find some cohesion among the seemingly disparate research interests of the contributing authors. He acknowledges the difficulty in finding appropriate contributors (at least those capable of broadly meeting the intended goals of the edited work). Not surprisingly, several chapters seem to be ‘reaching’ somewhat in meeting these aims. Nevertheless, one thread through many of the chapters is the commodification of the sport and the influence of commercialization on stakeholders. Carly Adams’s chapter on the Ladies Ontario Hockey Association reveals some interesting and contradictory issues facing women’s hockey. She shows how the women’s game struggled to gain a foothold in the popular imagination, yet acknowledges that the rise of the Preston Rivulettes – which did draw widespread attention to women’s hockey – ultimately undermined the delivery system as a result of the team’s competitive dominance. Many chapters are highly descriptive, and few overtly challenge notions of the meanings of hockey discussed in previous research. An exception is Stacy Lorenz and Geraint Osborne’s reprisal of their work examining violence and masculinity in hockey matches, and how local newspapers articulated these themes. A strong contribution that this chapter makes is in how it questions assumptions about class-based views of violence that appear in other works examining hockey during the early twentieth century. The authors’ discussion of violence during games (and its tacit acceptance by the media) is particularly useful (190). Another refreshing take is found in Robert Kossuth’s chapter on hockey in southern Alberta, which challenges perceptions that hockey was uniformly adopted as a sporting institution across Canada. He [End Page 588] describes the sport’s emergence in light of other more popular sporting practices in smaller Alberta centres that, similar to other communities, remained tied to boosterism and concerns about professionalism. Too many of the chapters in Coast to Coast get bogged down in detail that will be of interest to only a limited audience. Some chapters have been reworked or adapted from previous work, and topics are so focused that it is difficult to see how they connect to other works in the book. Others read disjointedly as they attempt to cover as many bases as possible. For example, the discussion of women’s hockey in Kossuth’s chapter seems misplaced, or at the very least incongruent with the flow of the rest of the chapter. The book might have been better framed around a theme such as boosterism, or entrepreneurialism, which would have given the authors a better opportunity to develop chapters that cohere as a collection. In terms of scholarship, several chapters are capably situated within the broader literature, and the authors use appropriate sources to flesh out their respective narratives. To do so, the authors have meticulously pieced together sources. In some cases, this is difficult where foundational sources exist only in the popular literature. For example, Wong is forced to rely, in part, on player biographies (such as Whitehead’s works The Patricks and Cyclone Taylor) or the work of amateur historians (such as Coleman’s Trail of the Stanley Cup) in his chapter on the Vancouver franchise. However, he has unearthed interesting archival sources on the team and its owners. Until a more definitive scholarly history of hockey is written, these will remain the constraints...
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Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,004 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,002 | 0,001 |
| Bibliométrie | 0,004 | 0,010 |
| Études des sciences et des technologies | 0,001 | 0,001 |
| Communication savante | 0,003 | 0,002 |
| Science ouverte | 0,002 | 0,001 |
| Intégrité de la recherche | 0,001 | 0,002 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,010 | 0,001 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».