Found Paintings, Disassembled Movies, World Images
Pourquoi ce travail est dans la base
Une base qui oublie comment elle a trouvé un travail ne peut pas être vérifiée. Voici les voies qui ont admis celui-ci.
Notice bibliographique
Résumé
April 01 2014 Found Paintings, Disassembled Movies, World Images Allan Sekula, Allan Sekula Allan Sekula (1951–2013) was an artist, photographer, historian, critic, and filmmaker. His many books include Photography against the Grain: Essays and Photo Works 1973–1983 (Nova Scotia College of Art and Design, 1984), Fish Story (Witte de With/Richter Verlag, 1995), Geography Lesson: Canadian Notes (MIT Press, 1997), Dismal Science: Photo Works 1972–1996 (Illinois State University, 1999), Performance under Working Conditions (Generali Foundation/Hatje Cantz Verlag, 2003), TITANIC's wake (Le Point du Jour Éditeurs, 2003), and Polonia and Other Fables (The Renaissance Society at The University of Chicago/Zachęta National Gallery of Art, 2009). His film The Forgotten Space (2010), codirected with Noël Burch, won the Orizzonte Special Jury Prize at the Venice Film Festival. He taught in the Program in Photography and Media at the California Institute of the Arts since 1985. Search for other works by this author on: This Site Google Scholar Carles Guerra Carles Guerra Carles Guerra is an artist, critic, and independent curator based in Barcelona. He is Associate Professor at the Universitat Pompeu Fabra and has held positions as Director of La Virreina Centre de la Imatge and Chief Curator at Museu d'Art Contemporani de Barcelona (MACBA). He curated Antiphotojournalism with Thomas Keenan (2010), 1979: A Monument to Radical Instants (2011), and Ahlam Shibli: Phantom Home (2013). He directed the film N for Negri (2000) and is author of Allan Sekula Speaks with Carles Guerra (La Fábrica/Fundación Telefónica, 2005). Search for other works by this author on: This Site Google Scholar Author and Article Information Allan Sekula Allan Sekula (1951–2013) was an artist, photographer, historian, critic, and filmmaker. His many books include Photography against the Grain: Essays and Photo Works 1973–1983 (Nova Scotia College of Art and Design, 1984), Fish Story (Witte de With/Richter Verlag, 1995), Geography Lesson: Canadian Notes (MIT Press, 1997), Dismal Science: Photo Works 1972–1996 (Illinois State University, 1999), Performance under Working Conditions (Generali Foundation/Hatje Cantz Verlag, 2003), TITANIC's wake (Le Point du Jour Éditeurs, 2003), and Polonia and Other Fables (The Renaissance Society at The University of Chicago/Zachęta National Gallery of Art, 2009). His film The Forgotten Space (2010), codirected with Noël Burch, won the Orizzonte Special Jury Prize at the Venice Film Festival. He taught in the Program in Photography and Media at the California Institute of the Arts since 1985. Carles Guerra Carles Guerra is an artist, critic, and independent curator based in Barcelona. He is Associate Professor at the Universitat Pompeu Fabra and has held positions as Director of La Virreina Centre de la Imatge and Chief Curator at Museu d'Art Contemporani de Barcelona (MACBA). He curated Antiphotojournalism with Thomas Keenan (2010), 1979: A Monument to Radical Instants (2011), and Ahlam Shibli: Phantom Home (2013). He directed the film N for Negri (2000) and is author of Allan Sekula Speaks with Carles Guerra (La Fábrica/Fundación Telefónica, 2005). Online Issn: 1536-0105 Print Issn: 1526-3819 © 2014 by Grey Room, Inc. and the Massachusetts Institute of Technology.2014 Grey Room (2014) (55): 130–141. https://doi.org/10.1162/GREY_a_00144 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Allan Sekula, Carles Guerra; Found Paintings, Disassembled Movies, World Images. Grey Room 2014; (55): 130–141. doi: https://doi.org/10.1162/GREY_a_00144 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsGrey Room Search Advanced Search This content is only available as a PDF. © 2014 by Grey Room, Inc. and the Massachusetts Institute of Technology.2014 Article PDF first page preview Close Modal You do not currently have access to this content.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,000 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,002 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle