Found Paintings, Disassembled Movies, World Images
Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
April 01 2014 Found Paintings, Disassembled Movies, World Images Allan Sekula, Allan Sekula Allan Sekula (1951–2013) was an artist, photographer, historian, critic, and filmmaker. His many books include Photography against the Grain: Essays and Photo Works 1973–1983 (Nova Scotia College of Art and Design, 1984), Fish Story (Witte de With/Richter Verlag, 1995), Geography Lesson: Canadian Notes (MIT Press, 1997), Dismal Science: Photo Works 1972–1996 (Illinois State University, 1999), Performance under Working Conditions (Generali Foundation/Hatje Cantz Verlag, 2003), TITANIC's wake (Le Point du Jour Éditeurs, 2003), and Polonia and Other Fables (The Renaissance Society at The University of Chicago/Zachęta National Gallery of Art, 2009). His film The Forgotten Space (2010), codirected with Noël Burch, won the Orizzonte Special Jury Prize at the Venice Film Festival. He taught in the Program in Photography and Media at the California Institute of the Arts since 1985. Search for other works by this author on: This Site Google Scholar Carles Guerra Carles Guerra Carles Guerra is an artist, critic, and independent curator based in Barcelona. He is Associate Professor at the Universitat Pompeu Fabra and has held positions as Director of La Virreina Centre de la Imatge and Chief Curator at Museu d'Art Contemporani de Barcelona (MACBA). He curated Antiphotojournalism with Thomas Keenan (2010), 1979: A Monument to Radical Instants (2011), and Ahlam Shibli: Phantom Home (2013). He directed the film N for Negri (2000) and is author of Allan Sekula Speaks with Carles Guerra (La Fábrica/Fundación Telefónica, 2005). Search for other works by this author on: This Site Google Scholar Author and Article Information Allan Sekula Allan Sekula (1951–2013) was an artist, photographer, historian, critic, and filmmaker. His many books include Photography against the Grain: Essays and Photo Works 1973–1983 (Nova Scotia College of Art and Design, 1984), Fish Story (Witte de With/Richter Verlag, 1995), Geography Lesson: Canadian Notes (MIT Press, 1997), Dismal Science: Photo Works 1972–1996 (Illinois State University, 1999), Performance under Working Conditions (Generali Foundation/Hatje Cantz Verlag, 2003), TITANIC's wake (Le Point du Jour Éditeurs, 2003), and Polonia and Other Fables (The Renaissance Society at The University of Chicago/Zachęta National Gallery of Art, 2009). His film The Forgotten Space (2010), codirected with Noël Burch, won the Orizzonte Special Jury Prize at the Venice Film Festival. He taught in the Program in Photography and Media at the California Institute of the Arts since 1985. Carles Guerra Carles Guerra is an artist, critic, and independent curator based in Barcelona. He is Associate Professor at the Universitat Pompeu Fabra and has held positions as Director of La Virreina Centre de la Imatge and Chief Curator at Museu d'Art Contemporani de Barcelona (MACBA). He curated Antiphotojournalism with Thomas Keenan (2010), 1979: A Monument to Radical Instants (2011), and Ahlam Shibli: Phantom Home (2013). He directed the film N for Negri (2000) and is author of Allan Sekula Speaks with Carles Guerra (La Fábrica/Fundación Telefónica, 2005). Online Issn: 1536-0105 Print Issn: 1526-3819 © 2014 by Grey Room, Inc. and the Massachusetts Institute of Technology.2014 Grey Room (2014) (55): 130–141. https://doi.org/10.1162/GREY_a_00144 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Allan Sekula, Carles Guerra; Found Paintings, Disassembled Movies, World Images. Grey Room 2014; (55): 130–141. doi: https://doi.org/10.1162/GREY_a_00144 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsGrey Room Search Advanced Search This content is only available as a PDF. © 2014 by Grey Room, Inc. and the Massachusetts Institute of Technology.2014 Article PDF first page preview Close Modal You do not currently have access to this content.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.002 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it