Notice bibliographique
Résumé
Postliterary America: From Bagel Shop Jazz Micropoetries. Maria Damon (Iowa City, Iowa: University of Iowa Press, 2012)Maria Damon is well known in field of Beat studies for creating a more accurate history of Beat movement by recovering black and female poets. For Damon this project is part of a broader cultural studies, offering a useful perspective marginal writers in modem American poetry, a perspective that Beats helped define by embracing marginality as a principle of both poetics and lifestyle. Since time of Beats, however, American literary landscape has lost center of a fixed canon; margins are everywhere. Apparently this is condition that Damon intends designate as Postliterary America in title of her new book. Though pessimistic about current political condition of America, Damon views abundant possibilities of condition in very positive terms, terms that are more commonly associated with postmodernism. With due allowance for valuation of mobility-Damon likes trope of the book as portable homeland (81, 102, 214)-the condition appears as a kind of promised land, which Beats were able point but which they were unable enter.Mapping postliterary America has led Damon expand her attention well beyond range of her previous book, The Dark End of Street: Margins in American Vanguard Poetry. While four key figures-Bob Kaufman, Jack Spicer, Robert Duncan, and Gertrude Stein-continue serve as touchstones in new book, a fifth figure, Robert Lowell, is now dispersed in occasional references confessional writing. In The Dark End of Street, Damon had juxtaposed Lowell's Life Studies with poems by teenagers from a South Boston housing project. The new book presents such work under broad and fluid category of micropoetries, including memorial practices among various countercultural groups and products of e-mail listservs such as briefly controversial Flarf poetry, which mocked poetry journal submission procedures and practices.'A new emphasis category of performance similarly expands Damon's definition of poetry, as well as enlivening her prose style. Ranging from performance art of Canadian feminist Kabbalist Adeena Karasick more popular modes such as Lenny Bruce's nightclub routines, poetry slams of Nuyorican Poets' Cafe, and self-remaking by jazz (Mezz Mezzrow) and pop (Phil Spector) musicians, several of these examples also extend Damon's chronological range. While The Dark End of Street found its center of gravity in modem period, a new vantage point in postmodernism now provides historical distance from which Damon looks back at Beats.The historical view of Postliterary America is articulated most clearly in book's longest essay, whose complex agenda is reflected in title, Loneliness, Lyric, Ethnography: Some Discourses on/of Divided Self. Although history does not feature explicitly among terms of this title, both loneliness and selfdivision are symptoms of a historical condition, in Damon's view: the subject in modernity is de facto traumatized by alienation and double consciousness (163). Damon cites Marx, Freud, Du Bois, and Walter Benjamin for supporting theory, but Beats supply literary case with which she opens her essay. They stand on cusp of what we now consider postmodern (160), Damon asserts, and they anticipate postmodernism in their overcoming of division between life and art. However, their parallel attempt overcome internal division of modem, alienated self is misguided because it depends a belief in a unified, authentic self-what Beat expressionism seeks express. This belief holds Beats back from discovery, namely, that solution modem alienation is not to simply undouble double consciousness (161) but rather multiply number of identities performed by any subject, and embrace activity of performance itself as an immediate pleasure preferable elusive ideal of authenticity. …
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Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,000 | 0,000 |
| Communication savante | 0,001 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,100 | 0,008 |
Scores machine (provisoires)
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