Kommos: An Excavation on the South Coast of Crete. Volume IV: The Greek Sanctuary ed. by Joseph W. Shaw and Maria C. Shaw (review)
Notice bibliographique
Résumé
BOOK REVIEWS/COMPTES RENDUS JOSEPH W. SHAW and MARIA C. SHAW, eds. Kommos: An Excavation on the South Coast of Crete. Volume N: The Greek Sanctuary. Princeton: Princeton University Press, 2000. Pp. xvi + 813; 705 photos, 214 line illustrations. US $235.00. ISBN 0-691- 0 5080-5. This volume on the Greek sanctuary is a welcome addition to the series of publications on the excavations at Kommos. Crete. conducted by Joseph and Maria Shaw and sponsored by the University of Toronto and the Royal Ontario Museum. Much of the long and complex history of Kommos has been presented in three previous volumes that have dealt with aspects of the Bronze Age settlement. Subsequent volumes will treat the civic buildings explored in a more recent program of excavation . The editors have wisely chosen to present separately the findings from the Greek sanctuary. for the material represents a new culture and a new type of site. with little continuity from the Bronze Age settlement that preceded it. This volume presents in enormous detail a coherent account of activity at a Greek rural sanctuary in use between the eleventh century B.C. and the second century A.D. (although there was a hiatus between the sixth and fourth centuries B.C.. and the site was largely out of use after 50 B.C.). It is an invaluable contribution to classical archaeology. The volume is in two fascicules. one of text and the other of plates. a somewhat cumbersome arrangement. but one that the wealth of material and the depth of the presentation demand. Although a variety of specialists have written the text. it is well edited. both in terms of the clarity of presentation (with specialist jargon kept to a minimum) and in terms of consistency. Given the number of authors. this is a great achievement and is in keeping with the high quality of the other volumes in the series. This reviewer noted only one major inconsistency. that in the spelling of Nicolas (or Nicholas) Coldstream's name. As with other volumes in the series. the quality of the drawings and photographs is high. Separate chapters by various specialists present the findings. First 2°3 204 BOOK REVIEWS/COMPTES RENDUS Joseph Shaw gives a lucid description and analysis of the architecture and stratigraphy of the sanctuary by periods. Although he focuses on the successive temples and their respective altars, he also describes the associated buildings and the dumps. There are many clear and meticulous architectural drawings, elevations, and sections, including useful phase plans, and the photographs chosen to accompany them clearly show the features discussed in the text, with labels added directly to the photos for additional clarification. The Iron Age inscriptions are discussed by Eric Csapo, Alan W. Johnston, and Daniel Geagan. The epigraphical material ranges from crudely incised marks to full-fledged stone inscriptions, and the inscriptions are arranged in the catalogue by period and medium (ceramic and stone), and within each period/medium by type (proprietary, dedicatory . and commercial). The evidence presented is of particular importance for illuminating the development of the Greek alphabet and answering questions about early Greek literacy. Maria Shaw presents an analysis of the sculpture from the sanctuary area, from the votive figurines of the earliest sanctuary to the large stone sculpture that may belong to the Roman Period. Most of the material consists of terracotta and bronze animal figurines, and the analysis includes speculation on the function of these figurines within the context of the early Iron Age temples. The fine chapter on the pottery is divided up into chronological periods , with discussions and catalogues of key deposits. The majority of the Early Iron Age and Hellenistic material is treated by Peter Callaghan , who began the analysis, and Alan Johnston, who completed it. Patricia Bikai discusses the imported Phoenician pottery, an important body of material in this site, and appendices present a chemical analysis of the Phoenician pottery by Richard Jones. John Hayes discusses with great expertise the later Roman material, including both pottery and lamps. A long chapter on the miscellaneous finds provides catalogues and discussions of each type of find, including the following: Roman glass (John Hayes); coins (Alan Walker); jewelry...
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Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,001 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,001 |
| Méta-épidémiologie (sens large) | 0,001 | 0,001 |
| Bibliométrie | 0,003 | 0,005 |
| Études des sciences et des technologies | 0,001 | 0,002 |
| Communication savante | 0,003 | 0,003 |
| Science ouverte | 0,001 | 0,002 |
| Intégrité de la recherche | 0,002 | 0,001 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,020 | 0,007 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».