Notice bibliographique
Résumé
This is a film review of Embrace the Serpent (2015) directed by Ciro Guerra. Author Notes Rubina (Ruby) Ramji is an Associate Professor in the Department of Philosophy and Religious Studies at Cape Breton University. After serving as a Chair of the Religion, Film and Visual Culture Group for the American Academy of Religion and then on the steering committee, Rubina continues to serve on the Executive Committee for the Canadian Society for the Study of Religion as President and is the Film Editor of the Journal of Religion and Film. Her research activities focus on the areas of religion, media and identity, religion in Canada, and religion and immigration. This sundance film festival review is available in Journal of Religion & Film: http://digitalcommons.unomaha.edu/jrf/vol20/iss2/27 Embrace the Serpent (2015) Directed by Ciro Guerra The Colombian film Embrace the Serpent follows the life of an indigenous shaman, Karamakate, the last member of his tribe. The film tells the story of Karamakate – World Mover – at two spectrums of his life: once as a younger man (Nilbio Torres) in 1909 and again as an old man (Antonio Bolivar) in 1940, who encounters Western botanists who wish to find a rare plant, the yakruna. The story, told in black in white, is based on the diaries of true explorers who entered the Amazon forest. In 1909, Karamakate guides German botanist Theodor Kock-Grunberg, who has become ill and can only be healed with the rare yakruna plant. In 1940, Karamakate meets American Evan Richard Schultes, who also is looking for the yakruna plant, but for commercial purposes. By this time, Karamakate has lived alone in the jungle, the last member of his tribe, and 1 Ramji: Embrace the Serpent Published by DigitalCommons@UNO, 2016 he has forgotten his memories because “the rocks, trees and mountains” don’t talk to him anymore. When Karamakate finds out that Evan cannot dream, he sees a kinship between the two of them, and agrees to help him as well. Not only does Embrace the Serpent offer a critical perspective on the continued destruction of the Amazon forest by colonialist “white invaders” and the destructive nature of the Catholic church on the identity of young Amazonian orphaned children, it tells the story of loneliness and guilt, for Karamakate carries the history of his people, the rituals of his people and the language of his people upon his shoulders. The thirty year expanse illustrates how much the Amazon has changed, become commercialized and overcome by colonialism. It offers the story of the powers of the earth, rather than of humanity, and how it holds the answers to dreams, memories, and ritual. Embrace the Serpent is not just a movie about science, but about spirituality and the knowledge of science. 2 Journal of Religion & Film, Vol. 20 [2016], Iss. 2, Art. 27 http://digitalcommons.unomaha.edu/jrf/vol20/iss2/27
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,000 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,000 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».