The Wildflowers Around Victoria Painted on Silk
Notice bibliographique
Résumé
Elizabeth Yeend Duer (1889–1951) was born in Nagasaki, Japan. Her father was an Englishman, Yeend Duer (1846–1921) and her mother a Japanese woman, Yasu Tsunekawa (née Zama, 1859–1936). Elizabeth grew up knowing much about both English and Japanese culture and language and learned to selectively deploy this knowledge, depending on context and the message she wished to convey. The Duer family moved to the fashionable, westernized, Ginza district of Tokyo when Elizabeth was about ten years old. They kept an English-style house. The dining room, for example, was furnished with a European-style table and chair set, and the family used knives and forks, not chopsticks. Elizabeth was also practiced in the art of kimono wearing, which she likely learned from her mother. It is said that as an adult Elizabeth Duer only wore kimonos, presenting herself as a Japanese woman.The Duers were early proponents of education for girls and women in Japan. Elizabeth studied nihonga-style painting in the atelier of Gyokushi Atomi (1859–1943), an institution dedicated to the artistic education of women. After some time studying with Gyokushi, Elizabeth took on the artistic identity of Gyokushō. \nA British citizen, Elizabeth left Japan for Victoria, British Columbia in the fall of 1940, wearing Western-style clothes. War was on the horizon and Duer felt the tensions between Japan and England escalate. In Victoria, she joined her first cousin and artist Katharine Emma Maltwood (née Sapsworth, 1878–1961) and Katharine’s husband John, who had arrived in Victoria just two years earlier. Katharine’s mother (Elizabeth Duer) and Elizabeth’s father (Yeend Duer) were siblings. \nUnlike most Japanese Canadians, Elizabeth was not interned after the bombing of Pearl Harbor. She supported herself by working as a translator and teaching Japanese to officers headed to Burma in the military campaign against Japan. Back in Japan, members of the Duer family were incarcerated as British sympathisers. Remarkably, Elizabeth continued to paint in the nihonga-style and signed her work using her Japanese artistic identity, Gyokushō. In 1941, she exhibited her work with the Island Arts and Crafts Society, publicly presenting herself as a Japanese artist, though Canada was at war with Japan.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,003 | 0,001 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,001 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,002 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,000 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».