Notice bibliographique
Résumé
May 01 2020 Decoding the Reality Studio Mallory Catlett, Mallory Catlett Mallory Catlett is an Obie-award-winning creator and director of performance across disciplines from opera and music theatre to plays and installations. In New York, her work has premiered at 3LD, HERE, Ontological-Hysteric, PS122, Abrons, EMPAC, Chocolate Factory; featured at COIL, Prelude, Prototype and BAM's Next Wave; and toured internationally to Canada, France, Ireland, Australia, and the UK. She is the artistic director of Restless Productions NYC, a member of the multidisciplinary artist-led development and performance venue, The Collapsable Hole, and a Foundation for Contemporary Art 2015 Artist grantee. restlessproductionsnyc.org Search for other works by this author on: This Site Google Scholar G Lucas Crane, G Lucas Crane G Lucas Crane is a sound artist, performer, and musician whose work focuses on media confusion, sonic mind control, and time travel. His analog cassette tape-based sound practice explores the liminal space of hybrid analogue aesthetics. He was a co-founder of The Silent Barn, an experimental performance space in Bushwick, Brooklyn. www.nonhorse.com Search for other works by this author on: This Site Google Scholar Alex Wermer-Colan Alex Wermer-Colan Alex Wermer-Colan is a postdoctoral fellow at Temple University, where he directs research and pedagogical projects in cultural analytics and digital media arts. His writing and edited works on William S. Burroughs include The Travel Agency Is on Fire and William S. Burroughs Cutting Up the Century. His writing has appeared in Twentieth-Century Literature, The D.H. Lawrence Review, The Yearbook of Comparative Literature, and The Los Angeles Review of Books. Search for other works by this author on: This Site Google Scholar Author and Article Information Mallory Catlett Mallory Catlett is an Obie-award-winning creator and director of performance across disciplines from opera and music theatre to plays and installations. In New York, her work has premiered at 3LD, HERE, Ontological-Hysteric, PS122, Abrons, EMPAC, Chocolate Factory; featured at COIL, Prelude, Prototype and BAM's Next Wave; and toured internationally to Canada, France, Ireland, Australia, and the UK. She is the artistic director of Restless Productions NYC, a member of the multidisciplinary artist-led development and performance venue, The Collapsable Hole, and a Foundation for Contemporary Art 2015 Artist grantee. restlessproductionsnyc.org G Lucas Crane G Lucas Crane is a sound artist, performer, and musician whose work focuses on media confusion, sonic mind control, and time travel. His analog cassette tape-based sound practice explores the liminal space of hybrid analogue aesthetics. He was a co-founder of The Silent Barn, an experimental performance space in Bushwick, Brooklyn. www.nonhorse.com Alex Wermer-Colan Alex Wermer-Colan is a postdoctoral fellow at Temple University, where he directs research and pedagogical projects in cultural analytics and digital media arts. His writing and edited works on William S. Burroughs include The Travel Agency Is on Fire and William S. Burroughs Cutting Up the Century. His writing has appeared in Twentieth-Century Literature, The D.H. Lawrence Review, The Yearbook of Comparative Literature, and The Los Angeles Review of Books. Online Issn: 1537-9477 Print Issn: 1520-281X © 2020 Performing Arts Journal, Inc.2020Performing Arts Journal, Inc. PAJ: A Journal of Performance and Art (2020) 42 (2 (125)): 1–20. https://doi.org/10.1162/pajj_a_00516 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Mallory Catlett, G Lucas Crane, Alex Wermer-Colan; Decoding the Reality Studio. PAJ: A Journal of Performance and Art 2020; 42 (2 (125)): 1–20. doi: https://doi.org/10.1162/pajj_a_00516 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsPAJ: A Journal of Performance and Art Search Advanced Search This content is only available as a PDF. © 2020 Performing Arts Journal, Inc.2020Performing Arts Journal, Inc. Article PDF first page preview Close Modal You do not currently have access to this content.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,000 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,000 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».