Bibliographic record
Abstract
May 01 2020 Decoding the Reality Studio Mallory Catlett, Mallory Catlett Mallory Catlett is an Obie-award-winning creator and director of performance across disciplines from opera and music theatre to plays and installations. In New York, her work has premiered at 3LD, HERE, Ontological-Hysteric, PS122, Abrons, EMPAC, Chocolate Factory; featured at COIL, Prelude, Prototype and BAM's Next Wave; and toured internationally to Canada, France, Ireland, Australia, and the UK. She is the artistic director of Restless Productions NYC, a member of the multidisciplinary artist-led development and performance venue, The Collapsable Hole, and a Foundation for Contemporary Art 2015 Artist grantee. restlessproductionsnyc.org Search for other works by this author on: This Site Google Scholar G Lucas Crane, G Lucas Crane G Lucas Crane is a sound artist, performer, and musician whose work focuses on media confusion, sonic mind control, and time travel. His analog cassette tape-based sound practice explores the liminal space of hybrid analogue aesthetics. He was a co-founder of The Silent Barn, an experimental performance space in Bushwick, Brooklyn. www.nonhorse.com Search for other works by this author on: This Site Google Scholar Alex Wermer-Colan Alex Wermer-Colan Alex Wermer-Colan is a postdoctoral fellow at Temple University, where he directs research and pedagogical projects in cultural analytics and digital media arts. His writing and edited works on William S. Burroughs include The Travel Agency Is on Fire and William S. Burroughs Cutting Up the Century. His writing has appeared in Twentieth-Century Literature, The D.H. Lawrence Review, The Yearbook of Comparative Literature, and The Los Angeles Review of Books. Search for other works by this author on: This Site Google Scholar Author and Article Information Mallory Catlett Mallory Catlett is an Obie-award-winning creator and director of performance across disciplines from opera and music theatre to plays and installations. In New York, her work has premiered at 3LD, HERE, Ontological-Hysteric, PS122, Abrons, EMPAC, Chocolate Factory; featured at COIL, Prelude, Prototype and BAM's Next Wave; and toured internationally to Canada, France, Ireland, Australia, and the UK. She is the artistic director of Restless Productions NYC, a member of the multidisciplinary artist-led development and performance venue, The Collapsable Hole, and a Foundation for Contemporary Art 2015 Artist grantee. restlessproductionsnyc.org G Lucas Crane G Lucas Crane is a sound artist, performer, and musician whose work focuses on media confusion, sonic mind control, and time travel. His analog cassette tape-based sound practice explores the liminal space of hybrid analogue aesthetics. He was a co-founder of The Silent Barn, an experimental performance space in Bushwick, Brooklyn. www.nonhorse.com Alex Wermer-Colan Alex Wermer-Colan is a postdoctoral fellow at Temple University, where he directs research and pedagogical projects in cultural analytics and digital media arts. His writing and edited works on William S. Burroughs include The Travel Agency Is on Fire and William S. Burroughs Cutting Up the Century. His writing has appeared in Twentieth-Century Literature, The D.H. Lawrence Review, The Yearbook of Comparative Literature, and The Los Angeles Review of Books. Online Issn: 1537-9477 Print Issn: 1520-281X © 2020 Performing Arts Journal, Inc.2020Performing Arts Journal, Inc. PAJ: A Journal of Performance and Art (2020) 42 (2 (125)): 1–20. https://doi.org/10.1162/pajj_a_00516 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Mallory Catlett, G Lucas Crane, Alex Wermer-Colan; Decoding the Reality Studio. PAJ: A Journal of Performance and Art 2020; 42 (2 (125)): 1–20. doi: https://doi.org/10.1162/pajj_a_00516 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsPAJ: A Journal of Performance and Art Search Advanced Search This content is only available as a PDF. © 2020 Performing Arts Journal, Inc.2020Performing Arts Journal, Inc. Article PDF first page preview Close Modal You do not currently have access to this content.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one teacher head, not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".