Notice bibliographique
Résumé
Previous article FreeContributorsPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreNIALL ATKINSON is Associate Professor of Art History and Romance Languages and Literatures at the University of Chicago.HEATHER A. BADAMO is Assistant Professor of History of Art and Architecture at the University of California, Santa Barbara.KIRSTEN J. BURKE is a PhD candidate in History of Art and Architecture at Harvard University, and Robert H. and Clarice Smith Fellow at the Center for Advanced Study in the Visual Arts (CASVA), National Gallery of Art, Washington, DC.SUSANNA CAVIGLIA is Associate Professor of Art, Art History & Visual Studies at Duke University.ANDREW CHEN is Assistant Professor of Early Modern Art at Texas State University.MARY E. CLARKE is a Research Specialist at the Getty Research Institute in Los Angeles.ERIC W. DRISCOLL is a Lecturer in the Department of the Classics at Harvard University.NICOLA GESS is Professor of German and General Literature at the University of Basel.ELIZABETH HARNEY is Associate Professor and Associate Chair of the Graduate Department of Art History at the University of Toronto.ALEXIS HARTFORD is a museum professional at the Park City Museum in Utah.TONI HILDEBRANDT is an Advanced Postdoctoral Researcher in the Department of Modern and Contemporary Art History at the University of Bern and the Coordinator of the SNSF Sinergia project “Mediating the Ecological Imperative” (in collaboration with UNAM Mexico City).STEPHEN HOUSTON is Dupee Family Professor of Social Sciences, Professor of Anthropology, and Professor of History of Art and Architecture at Brown University.GINA KONSTANTOPOULOS is Assistant Professor in the Department of Near Eastern Languages and Cultures at the University of California, Los Angeles.EMANUELE LUGLI is Assistant Professor of Art History at Stanford University.TOMI S. MELKA is an independent scholar based in Las Palmas de Gran Canaria, Spain.ALEXANDER NAGEL is the Craig Hugh Smyth Professor of Fine Arts at the Institute of Fine Arts, New York University.ROBERT S. NELSON is the Robert Lehman Professor of the History of Art emeritus at Yale University.PETER PARSHALL is Curator (retired) at the National Gallery of Art in Washington, DC.MAURIZIO PELEGGI is Professor of Cultural History at the National University of Singapore.JEFFREY QUILTER is former Director of the Peabody Museum of Archaeology and Ethnology, Harvard University.GRETEL RODRÍGUEZ is Assistant Professor in the Department of the History of Art and Architecture at Brown University.FELIPE ROJAS is Associate Professor of Archaeology at Brown University.ROBERT M. SCHOCH is Director of the Institute for the Study of the Origins of Civilization, College of General Studies, Boston University.MATTHEW VOLLGRAFF is a research associate at the Warburg Institute, University of London, where he is a member of the Bilderfahrzeuge project.JEFFREY WEISS is a curator and critic based in Brooklyn, New York.KRISTEN WINDMULLER-LUNA is Curator of African Arts at the Cleveland Museum of Art. Previous article DetailsFiguresReferencesCited by Res Volume 77-78Spring-Autumn 2022 Published in association with the Peabody Museum of Archaeology and Ethnology, Harvard University Article DOIhttps://doi.org/10.1086/724233 Copyright 2022 © by the President and Fellows of Harvard College. All rights reserved. No part of this issue may be reproduced without permission of the publisher.PDF download Crossref reports no articles citing this article.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,002 | 0,001 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,003 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».