Notice bibliographique
Résumé
permits any to become 'artist',simulacramay misplace ethics and ethical subjects such as 'real'Jews or others. It is here that the real force of Silverman's tightly argued tour becomes its tourdeforce. It is precisely the inherent contradictions and shortcomingsof the nation state founded on Enlightenmentpreceptsof reason and science that the individualisticliberalismof postmodernitydisplaysso publicly. For Silverman, thisJanus-face of Enlightenment and Revolution presents Francenow with a realchallenge,how to redefinehumanityanddemocracypost-postmodernity. In its many deconstructiveturns,thisbook is a rich and provocativepolitical and ethical challenge to Frenchthought and culture. By dealing with issuesratherthan institutions, the complex interface of 'le culturel' demands a response in postMarxistterms ,given thatthe neat infrastructureand superstructurerelationshipno longer pertains. While the approach taken has its own binary suppositions (a Manichaean worldviewin places, for example) and makesonly passingreferenceto laconditionfeminine, thisbook will be a key text for literary,media, orpoliticsdebates on French courses and within European Studies more widely. Because its clear exposition is sojargon-free, it will promote 'theory'as considerationwith 'practice' and thereforeopen a way of speakingabout cultureand society with ideologies and peoples stronglyin view. UNIVERSITY OFEXETER MARYORR (Euvres de chair: figures du discours erotique. By GAETAN BRULOTTE. Quebec: L'Harmattan. I998. 509 pp. Gaetan Brulotte's impressive study of the figures of erotic discourse clearly owes much in approach to Roland Barthes'sFragments d'undiscours amoureux. In fact, the doctoralthesisthat Barthessupervisedformedthe basisof thiswelcome publication on one of the most neglected of literarygenres. Encyclopedicin dimensions,and the result of more than a quarter of a century's research, (Euvres dechairhas a single ambitious aim: to identifyand catalogue hundredsof figuresof discourserecurring acrossfour centuries of erotic texts by mainly francophone writers(some of whom suchas Sade, Restifde la Bretonne,BatailleandKlossowskiare alreadywell known, but many more of whom, such as Fougeret de Montbron or Andrea de Nerciat, have remained relativelyobscure). Classifyingthese figuresunder thirty alphabeticallyarrangedheadings, ranging from 'Aisance' to 'Vetement', Brulotte offers his readers intelligent and detailed analysis of not merely literary critical but also philosophical and socio-historical interest. While 'Narration',for example, provides a thorough Genettian survey of narrativestructures,other essaysoffera mine of informationabout the historyand evolution of sexual behaviour and the social mores surrounding it. The essay entitled'Bain',forinstance,isa fascinatingaccount of changingattitudesto hygiene, nudity, and clothing across the centuries, as well as of the mythical and symbolic status of bathing as an event. Such activities make up the backcloth to the erotic action of hundreds of what Brulotteprefersto call 'erographic'works ('erotic'and 'pornographic' being too value-laden), and their manner of representation is analysedhere in depth for the firsttime. Indeed, it is the originalityof this book to offer a study of the rich social and psychological detail of a literature that the sweeping generalities of conventional criticismhave largely reduced to stereotype. Atthelevel ofform,Brulottealsoidentifiestheinnovativedimensionsof'erography': the polycentrism of the narrator, the performativity of narration, the appeal to sensesotherthan the masculinegaze, the miseenscene of the reading activityand the centralityof the reader'srole. Many of the narrativetechniques presumed to have permits any to become 'artist',simulacramay misplace ethics and ethical subjects such as 'real'Jews or others. It is here that the real force of Silverman's tightly argued tour becomes its tourdeforce. It is precisely the inherent contradictions and shortcomingsof the nation state founded on Enlightenmentpreceptsof reason and science that the individualisticliberalismof postmodernitydisplaysso publicly. For Silverman, thisJanus-face of Enlightenment and Revolution presents Francenow with a realchallenge,how to redefinehumanityanddemocracypost-postmodernity. In its many deconstructiveturns,thisbook is a rich and provocativepolitical and ethical challenge to Frenchthought and culture. By dealing with issuesratherthan institutions, the complex interface of 'le culturel' demands a response in postMarxistterms ,given thatthe neat infrastructureand superstructurerelationshipno longer pertains. While the approach taken has its own binary suppositions (a Manichaean worldviewin places, for example) and makesonly passingreferenceto laconditionfeminine, thisbook will be a key text for literary,media, orpoliticsdebates on French courses and within European Studies more widely. Because its clear exposition is sojargon-free, it will promote 'theory'as considerationwith 'practice' and thereforeopen a way of speakingabout cultureand society with ideologies and peoples stronglyin view. UNIVERSITY OFEXETER MARYORR (Euvres de chair: figures du discours erotique. By GAETAN BRULOTTE. Quebec: L'Harmattan. I998. 509 pp. Gaetan Brulotte's impressive study of the figures of erotic...
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,009 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,002 | 0,002 |
| Bibliométrie | 0,003 | 0,003 |
| Études des sciences et des technologies | 0,001 | 0,001 |
| Communication savante | 0,005 | 0,003 |
| Science ouverte | 0,002 | 0,002 |
| Intégrité de la recherche | 0,002 | 0,003 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,245 | 0,092 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».