Pourquoi ce travail est dans la base
Une base qui oublie comment elle a trouvé un travail ne peut pas être vérifiée. Voici les voies qui ont admis celui-ci.
Notice bibliographique
Résumé
Paulina Duda is a visiting assistant professor of Polish language and Central European cinema at Brown University, as well as an assistant professor in the New Media Arts Department at the Polish-Japanese Academy of Information Technology in Warsaw. Her scholarship focuses on the intersection of nationalism and filmmaking in Poland, film production and distribution under communism, the director's role in society, and the aesthetics of music videos. She has published essays, translations, and reviews in Studies in Eastern European Cinema, East European Film Bulletin, and Words without Borders.Robert Gałązka is a freelance translator whose main areas of expertise are film, theatre, and the fine arts. A graduate of the Jagiellonian University, he is a long-time collaborator with the National Museum in Kraków and the Cricoteka Center for the Documentation of the Art of Tadeusz Kantor. He has also worked with many other art institutions in Poland and is a regular contributor of translations to the theatre journal Didaskalia.Since becoming affiliated with Harmony Fund, Helena Goscilo has published the edited volumes Singing a Different Tune: The Slavic Film Musical (2023) and Starlight and Stargazers: Slavic Screen Celebrities (2024). Currently she is completing the monograph Film's Feisty Femmes: Poland's New Women Directors and launching another thematic collection, tentatively titled Issues of Visibility and Indivisibility: Sex on Slavic Screens.Together with Helena Goscilo, Beth Holmgren, a professor emerita of Slavic and Eurasian Studies at Duke University, co-authored the 2021 book, Polish Cinema Today: A Bold New Era in Film. Holmgren's current research and publications range from analyses of Polish-language comedies and stars in interwar Polish film to studies of award-winning contemporary Polish documentaries produced by female directors.Sebastian Jagielski teaches Polish film in the Institute of Audiovisual Arts at the Jagiellonian University. His publications include approximately a dozen articles, three co-edited volumes, and two monographs: Maskarady męskości: Pragnienie homospołeczne w polskim kinie fabularnym (2013) and the prize-winning Przerwane emancypacje: Polityka ekscesu w kinie polskim lat 1968–1982 (2021). An English version of the latter is now under contract with Bloomsbury Publishing.Łukasz Wodzyński is an assistant professor of Polish at the University of Wisconsin-Madison. He earned his Ph.D. at the Centre for Comparative Literature at the University of Toronto. His research interests include Polish and Russian modernism, Polish literature and film after 1989, and popular fiction. Currently he is working on several projects dedicated to the concept of adventure in the context of contemporary Polish literature.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,000 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,000 | 0,001 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle