Notice bibliographique
Résumé
Born on November 18, 1943 in Bucharest, Dan Buciu grew up in a musical environment, his father being the first soloist of the Bucharest Opera. A significant contribution to his formation was made by his studies with Dan Constantinescu, Tiberiu Olah, Aurel Stroe, Octavian Lazăr Cosma, Emila Comişel, Victor Giuleanu, Zeno Vancea, as well as the series of postgraduate trainings in the country (with Dinu Ciocan and Aurel Stroe) or at the International Summer Courses in Darmstadt (1970- 1975) where he studied with Karlheinz Stockhausen, Bruno Maderna, György Ligeti, Aloys Kontarski or Vinko Globokar, which culminated in obtaining the scientific title of Doctor in Musicology in 1992. In 1968, he began his teaching career at the Ciprian Porumbescu Conservatory of Music in Bucharest (today the National University of Music in Bucharest) where he taught Musical Forms, Harmony, Musical Analysis, Stylistics of Modern Choral Writing, and in 1970 he became a member of the Union of Composers and Musicologists of Romania, an institution that awarded him 6 awards for creation, and in 2025 he was awarded the Marin Constantin award at the "Marin Constantin 100" anniversary gala, held by the Madrigal - Marin Constantin National Chamber Choir on February 27, at the Romanian Senate. Since 1998 he has been a doctoral supervisor at the Doctoral School of the National University of Music in Bucharest, and from 2000 to 2008 he led this institution as Rector. He has published numerous articles and studies in journals in Romania, Russia, Germany, collaborated on radio and television shows, held conference cycles in the U.S.A. (1994), in France (1996) or Sweden (1995), published the volumes Elemente de scriitura modală and two volumes of Harmony. In his creations he approached the following genres: symphonic, vocal-symphonic, chamber, choral - the latter being the one to which he dedicated most of his works. Here are some of the main titles of his creations: SYMPHONY MUSIC - Scenes for orchestra and piano; Entertainment for small orchestra; Romanian Suite for orchestra; Slabs work for large orchestra; Winter Holidays Suite for orchestra; Nostalgic Suite for orchestra, VOCALSYMPHONY MUSIC Cantata Iarba pământului and Cantata Pax Mundi both for high voice and orchestra, CHAMBER MUSIC Sonata for solo piano; Nelinişti for two flutes; Piccolo suite and Mosaic II, - Suite for solo flute; Rustic Suite for flute and bagpipes (commissioned within an American-Romanian cultural program); Sketches for a self-portrait (septet presented in its first absolute audition at the University of Music in Munich in December 2001); Lyrica Mundi - cycle of lieder on verses by Dante, Robert Denos, N. Stănescu, V. Alecsandri, MUSIC FOR CHOIR Remember Hiroshima for choir and magnetic tape; Ana lui Manole written on verses specially commissioned by Nichita Stănescu choir (with stage movement), bagpipes, bell, toacă; Rondeau on verses by Charles d'Orleans (in French) for flute and mixed choir; Sonnet on verses by Rainer Maria Rilke (in German) mixed choir and organ; Games for the peace of the planet for children's choirs with stage movement. His works have been performed in Romania, the U.S.A., France, Germany, Switzerland, Spain, the Netherlands, Japan, India, Sweden, Canada, Moldova.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,002 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,001 | 0,000 |
| Bibliométrie | 0,001 | 0,001 |
| Études des sciences et des technologies | 0,005 | 0,004 |
| Communication savante | 0,004 | 0,002 |
| Science ouverte | 0,001 | 0,003 |
| Intégrité de la recherche | 0,001 | 0,002 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,012 | 0,003 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».