Rodman Hall Art Centre fonds, 1958-2019, n.d.
Notice bibliographique
Résumé
Rodman Hall was built Thomas Rodman Merritt (1824-1906), the youngest son of William Hamilton Merritt and Catherine Prendergast. Merritt married Mary Benson in 1853. He built a grand home in St. Catharines on an extensive plot of land. Construction began around 1857 and was completed in 1863. The house became known as Rodman Hall and is located close to the junction of Twelve Mile Creek and the Second Welland Canal. Initially, the property was designed as a large garden that resembled a park. By 1852, the landscaped grounds were completed. Remnants of the garden remain today, thriving in the sheltered climate of the Twelve Mile Creek valley. In the first phase of the home's construction from 1857 to 1860, the original or west wing was built. When Merritt's older brother William Hamilton Merritt Jr. died in 1860, building materials intended for construction of a house in Montebello Park were sent to Rodman Hall to be used. That same year construction on the east wing began, which was completed in 1863. Other minor renovations were made over the years, including the addition of dormer windows and installation of stained-glass windows on the central staircase. The house remained in the Merritt family until 1959 when it was purchased by the St. Catharines and District Arts Council. Peter Harris served as the curator and director for many years. The Council established a public art centre at Rodman Hall after a fundraising campaign to purchase and renovate the house. A new gallery was added that adjoined the former drawing room. It was used as a music studio as well as for art exhibition. Rodman Hall became the centre for visual arts in the Niagara Peninsula. Exhibitions by local artists were held, as well as retrospective shows of James Morrice, David Milne and Emily Carr. A display of artwork by children from local public schools became an annual event. The visual arts program was supplemented by Sunday concerts, children’s theatre and evening film and lecture series. As the programs and services expanded, the facilities at Rodman Hall became increasingly inadequate. Further renovations were undertaken in 1974 after National Museums of Canada announced that Rodman Hall had been selected as a National Exhibition Centre. The expanded art centre was designed primarily as an art gallery as opposed to a facility for the performing arts, as Rodman Hall was not able to accommodate the needs of many performing arts groups. Accordingly, there was less need for an Arts Council and the name of the administering organization was changed from the St. Catharines and District Arts Council to Rodman Hall Art Centre. Brock University acquired Rodman Hall in 2003 and continued to use it as an art gallery. During this time, the quality of the programming and publications were acknowledged nationally and provincially with several awards. The Department of Visual Arts also had a strong relationship with Rodman Hall. Students had the opportunity to use the studio space and participate in an annual graduate show curated by faculty and staff. In 2020, the university reached an agreement with community partners that saw the art collection return to community ownership and the property redeveloped by a local group known for heritage building restoration and redevelopment.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction machine sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Le volet Gemma est une étiquette directe du modèle pour chaque travail de la base, lue sur la notice réduite au titre. Le volet Codex est un classifieur appris des 10 348 étiquettes directes de Codex et calibré sur les taux pondérés de l'échantillon; les champs sans appui suffisant ne portent aucun appel Codex. Le mode candidate est l'union des deux volets; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont pas des étiquettes humaines.
Scores du classifieur distillé par catégorie (deux têtes)
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,001 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,001 | 0,001 |
| Études des sciences et des technologies | 0,005 | 0,001 |
| Communication savante | 0,004 | 0,001 |
| Science ouverte | 0,001 | 0,002 |
| Intégrité de la recherche | 0,001 | 0,002 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,634 | 0,238 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule source (Gemma direct ou Codex distillé), pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».