Pourquoi ce travail est dans la base
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Notice bibliographique
Résumé
BRONX AFRICAN AMERICAN HISTORY PROJECT\nINTERVIEWER: Karima Zerrou, Mark Naison\nINTERVIEWEE: Manadou Khoule (aka DJ Khoule)\nSUMMARY BY: Patrick O’Donnell\nNote: This interview was originally conducted in French and translated into English.\nBorn in Dakar, Senegal, Manadou Khoule (aka DJ Khoule) came to the United States in 2000, when he was 20 years old. At the time that he emigrated, he was the best DJ in Senegal. Most of his influences were Western hip-hop, especially the work of Tupac Shakur. He got his first set of turntables when he was 15 years old—they were given to him by a local community center. He does not play an instrument, but he was also an accomplished hip-hop dancer. The Senegalese DJ scene is heavily influenced by Western hip-hop culture. DJ Khoule says that young people wear baggy clothes and brand names frequently. While there was no MTV in Senegal by the time Khoule left in 2000, Senegalese in America would frequently send back MTV video tapes to their friends and families back home.\nAlthough he had made a name for himself in Senegal as a DJ, dancer, and manager, Khoule wanted to move to the US because he wanted to experience the US hip-hop and DJ scene firsthand. Khoule was able to get out of Senegal partially because his father worked security at the local airport in Dakar. Upon arriving in the US, he joined some relatives who had already successfully immigrated. These relatives live throughout the Bronx and Harlem. He initially got a job in retail, but did not work as DJ again until 2002. His first DJ gig on US soil was in a club in the Bronx called The Plantation, where he spun in front of a mixed crowd of about 250 people. He produced a mixtape of African music at one point, but he doesn’t produce anymore because there is little money to be made unless one is established. At the time on interview, he had a radio show called “Voice of Africa,” hosted by the Association for American Senegalese in Harlem (116th St.) The program is geared towards Senegalese Wolof-speaking listeners. DJ Khoule organizes parties through the Association and frequently spins in front of 300-500 people several times a year. He was doing a lot of club work until his wife got pregnant, and he hasn’t yet returned to regular club gigging. Khoule also does a good deal of DJ work in other cities, including Philadelphia, DC, and various places in Ohio.\nDJ Khoule has some positive impressions about America, and is happy that the nation has a black president. In general, however, Khoule has been disappointed with his time in the United States. Although he married a Senegalese woman and lives in a very close-knit community with other Africans (including Senegalese, Ivorians, Nigerians, and other Francophone Africans), he feels that life in New York is too hectic from a financial point of view. Unlike in Senegal, people have to work constantly to make enough money to pay the bills. Whereas money goes a long way in his home country, things are so expensive in New York that one must always be gaining more money and spending more time doing it. At some point, he hopes to get a green card, but the legal fees are too hefty for him at the moment. As a result, he cannot go to Canada or even back to Senegal, or else he might not be able to get back in. He thus characterizes America as a “prison without doors—you can leave any time, but you never will.”
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,002 | 0,001 |
| Communication savante | 0,000 | 0,001 |
| Science ouverte | 0,001 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,011 | 0,001 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle