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Record W6995084776

Khoule, Manadou

2008· article· en· W6995084776 on OpenAlexaboutno aff

Bibliographic record

VenueDigitalResearch@Fordham (Fordham University) · 2008
Typearticle
Languageen
FieldArts and Humanities
TopicMusic History and Culture
Canadian institutionsnot available
Fundersnot available
KeywordsClothingShot (pellet)Work (physics)World War II
DOInot available

Abstract

fetched live from OpenAlex

BRONX AFRICAN AMERICAN HISTORY PROJECT\nINTERVIEWER: Karima Zerrou, Mark Naison\nINTERVIEWEE: Manadou Khoule (aka DJ Khoule)\nSUMMARY BY: Patrick O’Donnell\nNote: This interview was originally conducted in French and translated into English.\nBorn in Dakar, Senegal, Manadou Khoule (aka DJ Khoule) came to the United States in 2000, when he was 20 years old. At the time that he emigrated, he was the best DJ in Senegal. Most of his influences were Western hip-hop, especially the work of Tupac Shakur. He got his first set of turntables when he was 15 years old—they were given to him by a local community center. He does not play an instrument, but he was also an accomplished hip-hop dancer. The Senegalese DJ scene is heavily influenced by Western hip-hop culture. DJ Khoule says that young people wear baggy clothes and brand names frequently. While there was no MTV in Senegal by the time Khoule left in 2000, Senegalese in America would frequently send back MTV video tapes to their friends and families back home.\nAlthough he had made a name for himself in Senegal as a DJ, dancer, and manager, Khoule wanted to move to the US because he wanted to experience the US hip-hop and DJ scene firsthand. Khoule was able to get out of Senegal partially because his father worked security at the local airport in Dakar. Upon arriving in the US, he joined some relatives who had already successfully immigrated. These relatives live throughout the Bronx and Harlem. He initially got a job in retail, but did not work as DJ again until 2002. His first DJ gig on US soil was in a club in the Bronx called The Plantation, where he spun in front of a mixed crowd of about 250 people. He produced a mixtape of African music at one point, but he doesn’t produce anymore because there is little money to be made unless one is established. At the time on interview, he had a radio show called “Voice of Africa,” hosted by the Association for American Senegalese in Harlem (116th St.) The program is geared towards Senegalese Wolof-speaking listeners. DJ Khoule organizes parties through the Association and frequently spins in front of 300-500 people several times a year. He was doing a lot of club work until his wife got pregnant, and he hasn’t yet returned to regular club gigging. Khoule also does a good deal of DJ work in other cities, including Philadelphia, DC, and various places in Ohio.\nDJ Khoule has some positive impressions about America, and is happy that the nation has a black president. In general, however, Khoule has been disappointed with his time in the United States. Although he married a Senegalese woman and lives in a very close-knit community with other Africans (including Senegalese, Ivorians, Nigerians, and other Francophone Africans), he feels that life in New York is too hectic from a financial point of view. Unlike in Senegal, people have to work constantly to make enough money to pay the bills. Whereas money goes a long way in his home country, things are so expensive in New York that one must always be gaining more money and spending more time doing it. At some point, he hopes to get a green card, but the legal fees are too hefty for him at the moment. As a result, he cannot go to Canada or even back to Senegal, or else he might not be able to get back in. He thus characterizes America as a “prison without doors—you can leave any time, but you never will.”

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.537
Threshold uncertainty score0.766

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0000.001
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.001
Science and technology studies0.0050.000
Scholarly communication0.0020.001
Open science0.0000.002
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.4630.112

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.072
GPT teacher head0.173
Teacher spread0.100 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; the direct Gemma label and the distilled Codex classifier agree on what is shown here.

Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2008
Admission routes1
Has abstractyes

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