DMX Classic Hits Blend 2000 Sep 16 aircheck reproduction
Notice bibliographique
Résumé
Waaaaaaay back in the stone age, when MP3 players were in their infancy (and mostly CD-based), slabphones were something you wouldn't have seen outside of "Star Trek", and I was annoying teachers with my stereotypically crappy teenage slacker attitude and study habits, my year 11/12 social studies teacher was an early AT&T Digital Cable (formerly T¢I; now Commiecast) user and was recording music VHS tapes off the DMX block to play on the TV set in class. Yes, this tape (or rather the methodology behind it) directly inspired and made many of the entries you see in this library possible. This is a recreated version of a 2000 September 16 aircheck recording of pre-merger DMX's "Classic Hits Blend" stream, as heard in Evergreen High School classroom 306 between then and at least June 2002. At one point during my junior term I got hold of the original tape and copied it to a cassette tape, which had become unbearably worn throughout the following five or six years. I have tried to the best of my ability to recreate the recording down to the little "pop" at the beginning where I hit play on my VCR. A low-resolution transfer of the original muddy-sounding, 100-minute CrO2 cassette is included here for reference..... in this case, it was meant merely as a template the reproduction was based on. Yes, I really did transfer it at 22050 Hz. Facepalm. I had never intended to include it in any compilations, and certainly in 2011 when I did it, I hadn't foreseen uploading stuff to Archive, never mind the idea that anyone might find it useful as anything other than a template. I certainly didn't. The original VHS was two hours long, recorded in SP mode, which was sufficient for a single 80-minute class period. She had a number of such tapes stored in a cabinet, that she would rotate throughout the week for two periods a day. As I remember most were from Classic Hits Blend but a few others were from Maestro (classical) and there may have been a couple oldies tapes. Or not; I don't remember for certain. At this time DMX were broadcasting in stereo via satellite, but something about AT&T's setup in Vancouver, WA caused their ATSC-QAM music service to go out in... mono. Meanwhile, their legacy Scientific Atlanta CD-X NICAM simulcasts had been stereo since Columbia Cable days. Since she wasn't using CD-X service, mono audio was what ended up on the VHS master. And thus, in this reproduction. Maybe someday I'll slap together a stereo remake. The version of "Saved By Zero" Fixx (1h 32m 44s) on side 2 is proabably either a really obscure cover or a remix made of unobtanium. To date I have not located it on Youtube or anywhere other than the DMX tape. Now, to the best of my knowledge DMX were 100% original-artist, sourced entirely from commercial recordings, like Muzak of that era. They were not in the business of commissioning special/proprietary rerecordings or covers, as had been the practise decades earlier in syndicated easy listening radio services. If anyone has any information about it (or beter yet, a URL), please post a comment. The one you hear here was from the cassette, with serious amounts of processing applied to make it sound more-or-less acceptable. SETLIST "Lucky Man" Emerson, Lake and Palmer (very end) "Take A Chance On Me" ABBA "Crazy For You" Madonna "Kiss Me" Sixpence None the Richer "I Don't Care Anymore" Phil Collins "Garden Party" Ricky Nelson "Where Did Our Love Go" Diana Ross and the Supremes "Hello It's Me" Todd Rundgren "Time Passages" Al Stewart "Save Tonight" Eagle Eye Cherry "You Belong to the City" Glenn Frey "It's Too Late" Carole King "Classical Gas" Mason Williams "Joy to the World" Three Dog Night "She Drives Me Crazy" Fine Young Cannibals "Maria" Blondie "Prayer for the Dying" Seal "Angel of Harlem" U2 "Give Me Love Give Me Peace On Earth" George Harrison "To Sir With Love" Lulu "When Will I See You Again" Three Degrees "West End Girls" Pet Shop Boys "Jealousy" Natalie Merchant "Do You Really Want To Hurt Me" Culture Club "Sunshine (Go Away Today)" Johnathan Edwards "The Boxer" Simon and Garfunkel "Mercedes Benz" Janis Joplin (which Mandy S. hated and would almost always jump up and hit fast-forward when it came on!) "Saved By Zero" Fixx "Flood (radio Edit)" Jars of Clay "Magic" Olivia Newton John The last several cuts were not on the cassette for lack of tape. I did document them, however.... I just wish, 25 years ago, that I had had the prescience to also document their crossfade lengths and segue points: "Crying" Roy Orbison "You've Got A Friend" James Taylor "Sunny Came Home" Shawn Colvin "Joanna" Kool and the Gang "More Love" Kim Carnes Notes DOWNLOADING When downloading this recording e.g. for local listening or to post elsewhere, please select only the original high-bitrate PCM ("WAVE" option) files. The lossy MP3 files for immediate previewing in the built-in Web player above were encoded from the PCM files using LAME 3.100 Linux (command $ lame -b128 -mm -o -q0 "filename.wav") but for optimal listening please download and use the PCM version. The FLAC files listed are Archive's own autoderivatives and cannot provide technical support if you download them. The cassette transfer is here, but hidden so it doesn't show up in the download options and draw attention to itself. It's listed under "SHOW ALL".... trust me; I really, really don't recommend downloading that one for listening or reuploading. LICENCE For private listening (home/headphones/car) and historic preservation only. If you want to play this music in a business, you will need to contact Mood Media and set up a subscription. Subject to additional usage conditions . Hello/thanks: Mrs Burris
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,003 | 0,003 |
| Méta-épidémiologie (sens large) | 0,003 | 0,002 |
| Bibliométrie | 0,004 | 0,001 |
| Études des sciences et des technologies | 0,000 | 0,002 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,004 | 0,002 |
| Intégrité de la recherche | 0,001 | 0,003 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,122 | 0,111 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; les deux têtes enseignantes s’accordent sur ce qui est montré ici.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».