Pourquoi ce travail est dans la base
Une base qui oublie comment elle a trouvé un travail ne peut pas être vérifiée. Voici les voies qui ont admis celui-ci.
Notice bibliographique
Résumé
Saytour, and Viallat, from the South of France), who in the 1960s were trying to find a way to continue to make painting in the aftermath of the May 1968 events.The questions they asked about what kind of painting was possible and relevant in the contemporary world are still with us and some of the artists included in the show are still working through possible answers.This year, in partnership with our fellow artist-led initiative, the Lacuna Studios in Lanzarote, Spain, we have had entries from as far afield as Angola and Brasil, Canada and Korea -93 artists from 30 countries in Larroque and about 150 artists from 50 countries in Lanzarote.What I was not expecting, at least when the images started to arrive from all over the world, was the number of artists and images that interpreted the theme by reflecting on the pollution of the ocean and the surface of the planet.The surface of the skin also appears in a few artist's works: close up and under the microscope.It is true that the skin is our biggest organ, and if it is badly damaged the other organs cannot survive.It is also our interface with the world: the way we feel it, sense it, touch it.And if the surface of the world is severely damaged, how are we going to feed ourselves, and make our homes here?It is of course, not surprising that artists respond deeply to this crisis-they are our antennae, sensing and finding ways to articulate the impending disaster, and mobilise against its inevitability.Images of the Amazonian rainforest, 'the lungs of the world', currently more under threat than ever by the current reversing of deforestation regulations, appear in several works.It is said that every fifth breath we take is produced by the Amazonian rain forest.As it diminishes daily, so too does our breath.Images of the sea, the beach, shipping, borders and exploration -from Ulysses voyage to Mars probesalso reflect concerns about migration, rootlessness, the destruction of safe habitat and the political mismanagement which seems to be a feature of the global present.Some work reflects on or utilises science as a positive option, offering hope of resolutions or as an inspiration for engendering creative new collaborations."Instructions for Use" uses photographs of old machine parts and factory instructions from a disused factory, combined with hand drawn animation and an electronic soundtrack by Irish composer Bernard O'Neill to evoke the futuristic dream of technology from the 1950's and '60s.The surfaces of cracked paintwork are reanimated in the process.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,002 | 0,002 |
| Méta-épidémiologie (sens large) | 0,002 | 0,001 |
| Bibliométrie | 0,002 | 0,002 |
| Études des sciences et des technologies | 0,001 | 0,001 |
| Communication savante | 0,001 | 0,000 |
| Science ouverte | 0,002 | 0,002 |
| Intégrité de la recherche | 0,001 | 0,002 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,465 | 0,106 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle