Pourquoi ce travail est dans la base
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Notice bibliographique
Résumé
Research Background: Erik Griswold and Vanessa Tomlinson (Clocked Out) first visited Chengdu in 2000 and were blown away by the vibrant culture and friendly people of Sichuan. With the generous guidance of their friend and collaborator, composer Zou Xiangping, they returned several times over the years to study Sichuan percussion, folk music, and street songs. Together they have produced three large scale shows - Chengdu Streetsongs, Sichuan Fantasy, and The Wide Alley - that have toured in China, Australia, Canada and New Zealand. With the support of the Australian Art Orchestra, dramaturg Tamara Saulwick, and video artist Scott Morrison, this ongoing collaboration has grown into Water Pushes Sand - a new suite of compositions by Griswold that reinvigorate the endangered music of China’s Sichuan Province and in doing so, create a vibrant and original world of sound. released August 4, 2017. \nResearch Contribution: Water Pushes Sand is a cohesive look at the music of Sichuan Province through the lens of 5 improvising Australian musicians, and 5 traditional Chinese instrumentalists. The dialogue developed in rehearsal for this project, and over years of friendships and collaborative ventures underpins the sound world produced in this album. The recording was down as a series of live takes, bringing to the fore the improvisational interplay between the performers in realtime, which exemplifies the sensation of the music which is at once wild and chaotic plus sublime and ethereal. Research Significance (evidence of excellence) This album was a finalist in the ARIA awards for 2017, in the area of best new jazz album. It has received airplay across Australia, USA and Europe, and been positively reviewed in numerous places including The Australian. For the research, Tomlinson, this has expanded her percussive practice to focus on standup drumkit technique, integration of Sichuan rhythms in Western grooves, and expansion of sonic palate. The intercultural collaboration continues to be a site for transformation in performance practice, cultural awareness and music development.\nResearch Significance: This album was a finalist in the ARIA awards for 2017, in the area of best new jazz album. It has received airplay across Australia, USA and Europe, and been positively reviewed in numerous places including The Australian. For the research, Tomlinson, this has expanded her percussive practice to focus on standup drumkit technique, integration of Sichuan rhythms in Western grooves, and expansion of sonic palate. The intercultural collaboration continues to be a site for transformation in performance practice, cultural awareness and music development.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,001 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,001 | 0,001 |
| Méta-épidémiologie (sens large) | 0,001 | 0,000 |
| Bibliométrie | 0,001 | 0,000 |
| Études des sciences et des technologies | 0,001 | 0,001 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,002 | 0,001 |
| Intégrité de la recherche | 0,001 | 0,003 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,021 | 0,001 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle